Documents found
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How to support collective action on child welfare in France? This topic will be explored in both theorical and practical ways. We will demonstrate that if the objective of social action is that the young people benefiting from social intervention should be the main participants of said social action, then, such collective social interventions are indeed only at their first stages. This may be due to the difficulties, which occur in determining those who are primarily concerned when it comes to interventions pertaining to child protection as well as the difficulties linked to the task assessing the framework of these individuals' citizenship. This article tries to explore how to devise ascending social collective actions which considers subjective perspectives of young people and leaves them without stigma.
Keywords: protection de l'enfance, action collective, capacité d'agir, droits de l'enfant, citoyenneté, child protection, collective action, empowerment, children's rights, citizenship
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AbstractThe “Weimar Triangle” was inaugurated in 1991 as a trilateral cooperation between France, Germany and Poland. It has been acting as a mediator between the “old Europe”, represented by the French-German relationship and the “new Europe” represented by Poland. However, this new Europe has been characterized, among other things, by Poland's support of American politics. The article discusses this and other conflicts and shows that, in spite of disagreements between its members, the “Weimar Triangle” continues to serve as a model of national cooperation, due to flexibility and adjustment.
Keywords: Allemagne, France, Pologne, vieille Europe, nouvelle Europe, Germany, France, Poland, old Europe, new Europe
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In 2014, cellist Elinor Frey began commissioning new music for the five-string Baroque cello as a way to contribute to and expand the repertoire for the instrument. Her project grew to three new works for five-string cello, two works for the four-string cello, and one for cello and harpsichord. This article documents Frey's close collaborations with six composers—Scott Godin, Isaiah Ceccarelli, Linda Catlin Smith, Maxime McKinley, Ken Ueno, and Lisa Streich—and reflects upon the ways in which her approaches to style and performance practice played a role in interpreting the new works. Frey also explores how she drew inspiration from Baroque stylistic qualities such as concealment and illusion.
Keywords: violoncelle baroque, Isaiah Ceccarelli, Scott Godin, Maxime McKinley, Linda Catlin Smith, Lisa Streich, Ken Ueno, baroque cello, Isaiah Ceccarelli, Scott Godin, Maxime McKinley, Linda Catlin Smith, Lisa Streich, Ken Ueno
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Cette recherche s’articule autour de la notion de « biofiction » dont l’importance est expliquée à partir des notions de « biographie », « hagiographie », « autobiographie », mais aussi de « récit mythique », d’« autofiction » et de « vulgarisation ». La biofiction, une fiction biographique, permet d'aborder des phénomènes littéraires contemporains dans lesquels l'exemplarité de certaines figures est centrale. Le corpus littéraire à l’étude se compose de bio\hagio fictions postmodernes sur la visionnaire du XIIe siècle Hildegarde de Bingen et le peintre baroque de la fin du XVIe et début du XVIIe siècle Le Caravage (Nobécourt, 2013; Tancredi, 2012; Fernandez, 2002; Haenel, 2019). Comment (et pourquoi) des auteurs abordent-il aujourd'hui selon une perspective transculturelle et transhistorique de telles figures? À partir …