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The novels of Jacques Poulin give great emphasis to music and songs, especially French songs. The latter run through Poulin's major novels, from Volkswagen Blues to Un jukebox dans la tête and Le vieux chagrin—all titles referring to the profoundly musical nature of his work. The presence of songs is part of the “little music” that give the novels such a singular tone. This article focuses on the network of musical correspondences appearing throughout Poulin's novels and the importance of this dimension of the text as an interpretive vantage point.
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