Documents found
-
2701.More information
Through a discussion of three films based on photographs—Chris Marker's If I Had Four Camels (1966), Agnès Varda's Ulysses (1982), and Wim Wenders and Juliano Ribeiro Salgado's The Salt of the Earth (2014)—this essay questions the value and meaning of rendering time. It considers the importance of the photograph's bio-historiographic context as well as the ability of the photo-cinematographic work to render time perceptible. But which time is thus concerned? The one of the photographed reality or the one invented by the work of art? Is it possible to render the real and singular time of the photographed instant, and is it this rendering that bestows meaning to the photograph? What importance should be given to the singularity of the moment? Does the challenge of rendering time transcend that of rendering singularity?
-
2702.
-
-
-
-
-
-
-
2710.