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Criticism is also theory. The dualism that practice imposes on critics and theory should not obscure the common requirements of knowledge and judgment. In this context of writing, what figures does Québécois cinema criticism seek to imprint on this ground? The author addresses this issue through a discussion of the criticism of imitation and identification. Criticism and film don't manage the necessary distance for its own symbolization. Nevertheless the end of the 1980s brought a new imaginary to Québécois cinema which has slowly forced critics to reposition themselves.
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170.More information
AbstractThis study attempts to define Gilles Hénault's poetic art in À l'inconnue nue through close analysis carried out at several levels : typographic presentation, phonetic and semantic games (anagrams, metagrams, etc.). The study focuses on the body, the natural world and the sea, which are major themes of the twenty-six poems making up this short collection. The conclusion locates Gilles Hénault within the major currents of the Francophone corpus, while emphasizing his Québécois " difference. "