Documents found
-
261.More information
ABSTRACTIn this article, relying on the Freudian definition of melancholy, the author analyses a corpus of three Quebec films : La Femme de l'hôtel by Léa Pool (1984), Cargo by François Girard (1990), and Léolo by Jean-Claude Lauzon (1992). What these three films share has been called the "post-referendum syndrome" that was brought on by the failure of the first referendum on sovereignty-association in 1980.
-
265.More information
For Pierre Vadeboncoeur, writing is an artistic act, an affirmation of being and reality. It plays itself out in the space which constitutes the essence of culture. Not a discourse on culture, but an experience ofit, ideas are of lesser importance to writing than language is. Vadeboncoeur speaks of works of art as he speaks of love. Apart from those provided by the works themselves, no interpretative criteria exist. Whether he reads a literary work or contemplates a painting, Vadeboncoeur assumes the role of an artist, to share with us his sense of astonishment. His proper domain is the space created by the distance intervening between the artistic sign and…
-
266.More information
Keywords: Anne Guilbault, Pas de deux, James Joyce, Le livre jamais lu, Ulysse, Andrée Christensen, Littérature franco-ontarienne, Julien Blanc, Écrivains méconnus, BD, Sébastien Gnaedig, Futuropolis, La Mèche, Laurent Lussier, Éric Mathieu, Margaret Atwood, Katie Paterson, Future Library 2014-2114, Bibliothèque du futur, C’est le cœur qui lâche en dernier, La servante écarlate, Alias Grace, Hervé Bel, Renaud Longchamps, Babelle, Pierre Guyotat, Éden, André Loiselet, Le mal des anges, Siddhartha Mukherjee, Il était une fois le gène, Andrea Dworkin, Féminisme, La Scouine, Albert Laberge, Anti-terroir, Gabriel Marcoux-Chabot, Sophie Gagnon-Bergeron, François Ouellet, Prix Hommage SILQ, Poésie, Poésie franco-ontarienne, Raphaël Arteau McNeil, Metka Zupančič, Louise Erdrich, Hans-Jürgen Greif, Michel Pleau, Guylaine Massoutre, Littérature québécoise
-
267.More information
AbstractThe recent changes in literary history's epistemological models have led to a renewal of practices in the field of literature. These changes, first related to the multiplication and fragmentation of narratives, also arise out of a new look at archival issues and the materiality of the media. These changes also emphasize the context of the discursive enunciation of the works and reintroduce the figure of the reader. Ultimately these changes lead to an interaction among Francophone literatures in North America and allow for the reconstruction, real or imaginary, of the social bond in each of these communities and encourage the development of a real process of recognition.