Documents found

  1. 311.

    Frattura, Addyson

    Where Does It Hurt?

    Article published in Art/Research International (scholarly, collection Érudit)

    Volume 7, Issue 2, 2022

    Digital publication year: 2022

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    The question of an existential experience of hurt is not only relevant during present times of enduring hurt through realities such as a deadly pandemic, racialized violence, precarious educational realities, and ongoing struggles for justice in its many forms. The work of this poetic inquiry is enduringly relevant insofar as both institutions and people hold, create, sustain, and attempt to respond to hurt of many kinds. At times, we may cause more hurt than we soothe. As I write, I am grounded in the practices of poetic and literary analysis and position this piece a space and a form to hold the seemingly incommensurable questions for us as teachers, as artists, and as humans existing and living through a world of hurt. As a philosopher of education, I am perpetually concerned with the possibilities of a humanizing education that may soothe and eradicate existential hurt. I look toward poetry and art to show us the way.

    Keywords: poetic inquiry, literary analysis, existential, hurt, education

  2. 312.

    Article published in L'Inconvénient (cultural, collection Érudit)

    Issue 75, 2019

    Digital publication year: 2018

  3. 313.

    Article published in Les Cahiers de la Société québécoise de recherche en musique (scholarly, collection Érudit)

    Volume 15, Issue 2, 2014

    Digital publication year: 2016

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    Both a composer and a researcher, Manoury took an early interest in real-time interactions between acoustic instruments and new technologies in computer music, as developed by the Institut de recherche et coordination acoustique/musique (Ircam) since the 1980s. After Répons (original version in 1981) by Pierre Boulez, there was a need to break the rigidity of the electronic tool and explore beyond the conventional instrument/computer dialogue to develop a mutually beneficial symbiosis, malleable in concert, and constantly renewable, in the style of a concert performance. After the instrument, the composer had to quickly consider the issue of the voice. Starting in 1993, Manoury worked to capture and then digitally process voice in real-time, first by analyzing the acoustic components of the sound, and then by manipulating these components. The melody cycle En écho (1993-1994) for soprano and electronics was the first stage in this reflection, as part of experimental research.

  4. 314.

    Review published in Voix et Images (scholarly, collection Érudit)

    Volume 30, Issue 2, 2005

    Digital publication year: 2005

  5. 315.

    Article published in Sociologie et sociétés (scholarly, collection Érudit)

    Volume 44, Issue 1, 2012

    Digital publication year: 2012

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    The discussion begins with a reminder of the various postures anarchists against the nationalism and the relationship between Judaism and anarchism, and finally present and analyze the activism of the group of Jewish Israeli Anarchists Against the Wall (AATW), and provide an interim assessment. The aim is to reflect the strained relationship between anarchism, which is basically internationalist, and nationalism, particularly the struggles of so-called “national liberation”, whether secular or religious. Particular attention is paid to the reaction of AATW activists against the “wall” erected in 2002 by the State of Israel. The construction of the wall has offered — and paradoxically — a political opportunity for Israeli Jews and Palestinians to build relationships and advocate organic whole, precisely against the construction of this wall.

    Keywords: anarchisme, anarchistes, nationalisme, sionisme, Anarchists Against the Wall, anarchism, anarchist, nationalism, Zionism, Anarchists Against the Wall, anarquismo, anarquistas, nacionalismo, sionismo, anarquistas contra el muro

  6. 316.

    Article published in Captures (scholarly, collection Érudit)

    Volume 1, Issue 1, 2016

    Digital publication year: 2016

  7. 317.

    Article published in Meta (scholarly, collection Érudit)

    Volume 40, Issue 3, 1995

    Digital publication year: 2002

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    AbstractIn view of the shaky foundations of translation studies as a discipline, the author suggests an hermeneutic epistemology of translation. Of two possible approaches, which are described using the analogy of the "water diviner" (sourcier) and "well maker" (puisatier), the author opts for the former, and justifies his choice by defining translation as a transformation process, a primary, not secondary, language operation. He cites contemporary literary and philosophical theories to look at the issues of identity and alterity in translation, as well as the role of the history and the uncertainty of meaning. According to Nouss, translation is in essence an always Unidentifiable Flying Object (UFO).

  8. 318.

    Laporte-Rainville, Luc

    Histoire d'un géant

    Article published in Ciné-Bulles (cultural, collection Érudit)

    Volume 32, Issue 1, 2014

    Digital publication year: 2014

  9. 320.

    Lavoie, Pierre

    Parutions récentes

    Article published in Jeu (cultural, collection Érudit)

    Issue 48, 1988

    Digital publication year: 2010