Documents found
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Cette recherche veut décrire et analyser les d imensions sociotechniques et politiques de la surveillance des données (dataveillance), soit la collecte massive, continue et automatique des données produites par les usagers dans le cyberespace, telle qu’elle est conduite dans la sphère commerciale par l’entreprise Google et dans la sphère sécuritaire par la National Security Agency (NSA). L’objectif est d’exposer une partie des structures et des dynamiques de l’économie politique des données personnelles telle qu’elle existe aux États-Unis.
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In the well-known legend of Zeuxis choosing his models for the image of Helen from among the Girls of Croton, the ideal composition desired by the monarch and executed by the artist necessarily involves the power over bodies to create an ideal beauty. The notion of the composite can be found throughout the representation of the canon, which is found in all ages, as an intrinsic fact of our way of representing and therefore of considering the world. Its role is unifying and soothing, and in this it would be an opposition to the collage: where the collage assumes its unnatural alliances, the composite pretends to recreate a unity. From Mary Shelley's conception of the world to George Orwell's, this article puts forward the hypothesis that cartography, performed today by satellite imagery, has, since its origins, been the precious ally of these totalitarian methods aiming, through a composite assembly, to give a false image of a unified world, all centred on the West, which has since become the undisputed master of maps and compasses. But is it all truly for the best in the best of all possible worlds? It would be to forget that the compositing that gives us these images ontologically implies the space in between, the gap, the white zone; in short, it would be to forget that something is rotten in the realm of Google Earth... If a large number of artists and image-makers have exploited the spectacular but top-down beauty of the "cartographic eye of art", others are sneaking into forbidden and unmapped places to try to deliver a bottom-up version of the world in which we live, in the tradition of what the situationists initiated more than sixty years ago, followed by the walkers and the artists of counter-mapping, critical mapping or alternative mapping.
Keywords: Cartographie, Cartographie alternative, Collage, Composite, Imagerie satellitaire, Photographie aérienne, Art contemporain, Cartography, Alternative cartography, Collage, Composite, Satellite imagery, Aerial photography, Contemporary art
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This article examines challenges associated with the sustainability of the digital sector in key sectors such as cloud computing, targeted advertising, online video, cryptocurrencies, and generative artificial intelligence. Firstly, it explores the innovation strategies that globally impactful companies (Google, Facebook, Netflix, and OpenAI) adopt to mitigate their environmental impact. The study highlights the evolution of innovation objectives, shifting from enhancing product performance to optimizing production processes within often collaborative frameworks. Secondly, it analyses the dissemination of digital sobriety practices among IT service providers, putting their efforts into perspective and addressing the limitations of their actions to tackle sobriety challenges. Finally, the article investigates the relationship between digital sobriety and the nature of technological platforms, highlighting the specific challenges posed by cryptocurrencies and advertising platforms. The study concludes with a set of recommendations regarding information, training, incentives, and regulation to foster a more digitally sober sector.
Keywords: stratégie, open innovation, données massives, sobriété numérique, GAFAM, strategy, open innovation, big data, digital sobriety, GAFAM, estrategia, innovación abierta, datos masivos, sobriedad digital, GAFAM
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In this paper the authors share two short case studies from the Kingdom of Eswatini. Selected initiatives by tertiary institutions from the small Southern African country will showcase reactions from the education sector to the global COVID‑19 pandemic. While the closure of educational institutions was mandatory (as per government's decision), some institutions went online (or partially online) and others did not. Important lessons can be drawn from these case studies. These will be presented in the final part of the paper.
Keywords: Enseignement supérieur, COVID‑19, numérique, Eswatini, fermeture « physique », Higher education, COVID‑19, digital, Eswatini, “physical” closure