Documents found

  1. 401.

    Nouveautés étrangères

    Article published in Nuit blanche (cultural, collection Érudit)

    Issue 39, 1990

    Digital publication year: 2010

  2. 402.

    Patrick Grainville

    Article published in Nuit blanche (cultural, collection Érudit)

    Issue 44, 1991

    Digital publication year: 2010

  3. 403.

    Interview

    Article published in Québec français (cultural, collection Érudit)

    Issue 80, 1991

    Digital publication year: 2010

  4. 404.

    « J'ai le goût de raconter des histoires »

    Article published in Québec français (cultural, collection Érudit)

    Issue 85, 1992

    Digital publication year: 2010

  5. 405.

    Livres reçus

    Other published in Voix et Images (scholarly, collection Érudit)

    Volume 40, Issue 2, 2015

    Digital publication year: 2015

  6. 406.

    Livres reçus

    Other published in Voix et Images (scholarly, collection Érudit)

    Volume 37, Issue 2, 2012

    Digital publication year: 2012

  7. 407.

    Beaumier, Jean-Paul

    L'ordre des choses

    Article published in XYZ. La revue de la nouvelle (cultural, collection Érudit)

    Issue 41, 1995

    Digital publication year: 2010

  8. 408.

    Bourassa, Lucie

    Liminaire

    Other published in Tangence (scholarly, collection Érudit)

    Issue 53, 1996

    Digital publication year: 2004

  9. 409.

    Dumont, François

    L'immédiat

    Article published in Voix et Images (scholarly, collection Érudit)

    Volume 21, Issue 1, 1995

    Digital publication year: 2006

  10. 410.

    Imbert, Patrick

    Le plagiat et la construction des Amériques : relecture de Maurevert et de Borges à partir de Claude Mathieu

    Article published in Voix et Images (scholarly, collection Érudit)

    Volume 27, Issue 3, 2002

    Digital publication year: 2006

    More information

    AbstractA rereading of Claude Mathieu in parallel with Borges and Maurevert leads to a shift in meanings as they escape from the European canon and the search for "authenticity" to establish, playfully, a productivity of meaning for the Americas. Thus, the construction of plagiarism as impossible leads to decontextualisation and recontextualisation of texts which, in the postmodern/postcolonial contemporary world of the New Worlds, open onto unsuspected forms of creativity.