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Abstract The author of this article examines two aspects of Frontières ou Tableaux d'Amérique : the function of its characters' dreams and the ironic game constructed by the Audetian narrator's geographical and imaginary passages (“ promenades ”) across the American continent. The purpose of the article is to show how the confrontation of these two functions, using a range of spatial variations, produces a corrosive critique of the American dream.
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