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169.More information
The creator is the one who can discuss in an original and personal way the issues, the uncertainties and the sufferings which are known by everyone of us, some of those being issues of a social nature. To demonstrate that a film can suggest some solutions to individual and collective questionings while respecting the limits of its particular restraints and possibilities, Dominique Memmi looks at things from a point of view which is at the borderline of two levels of analysis: the first one being the internal analysis of the film, which takes account of its particular characteristics, and the second one being the external analysis, which consists in bringing closer the film to its context of production because it should be its reflection. Thus she manages through cinematographic works to tackle the question of the place of the dominated in an unbalanced relation like the one which links the masters to their servants (La Règle du jeu, La Cérémonie), or the one which testifies of the male social supremacy (Romance).
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