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261.More information
Discourse Analysis and Socio-criticism. Points of convergence and divergence between heterogeneous disciplines An analysis of the places and people exercising either discourse analysis or socio-criticism, of the concepts and notions they use, and of the objects they study, shows that the main divergence between the two disciplines concerns their corpuses.
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In considering the case of a triple dream covering T three distinct periods in the life of Leiris, we advance the hypothesis that the narrative (the work) of a dream element in an autobiography incorporates four sorts of data : the reconstituted text of the dream, the lived experience contemporaneous with the reconstituted text, the preceding or subsequent lived experience recalled through association and, finally, effects of style which are properly speaking textual and which appear in the course of ' literary' execution. Such effects of style can he generated only through and within the tensions of the writing and are thus effects of text. For the reader-critic reinterpreting this rewriting, this latter material is crucial, even if the status of such material is problematical so far as the relation to the author and his awareness of it is concerned.
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269.More information
The purpose of this article is to bring an eclectic point of view to bear on a lightly provocative aspect in la Vie de Marianne : scarcity of detail in the description of clothing and its relation to scriptural metaphor. By a collage of varied approaches, that is to say, by referring to the metatext as well as by using other critical resources and in light of selected citations or facts, this essay examines the functional aspect of the accessory in the general economy of the novel. It especially concerns the role of clothing and its relation to the doubles ententes of language, in short, it underlines the importance of the unimportant.
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270.More information
AbstractIn a 1948 text, Pierre Boulez expresses his desire to infuse his music with a ritualistic undertone comparable to that of Antonin Artaud's poetic. This remark raises questions about Artaud's influence, concerning both Boulez's conducting activities and the conception of his works. The first part of this article deals with Boulez's public writings on Pelléas et Mélisande and on the links he establishes between Debussy and Artaud in his private writings. The second part concentrates on the connections that relate Artaud's works to those of Boulez, particularly in Rituel, in memoriam Bruno Maderna.