Documents found
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3392.
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3395.More information
Looking at aesthetics and heterogeneity in Abdelfattah Kilito’s Dites-moi le songe, this article examines how this work challenges the limits of literary genres. Dites-moi le songe includes essayistic digressions, fragmentary writing, oneiric narratives, and elements of the novel. Using literary and extra-literary intertextuality, it rehabilitates Classical Arabic literature.
Keywords: esthétique de l’hétérogénéité, esthetics of heterogeneity, uncertainty, incertitude, réhabilitation de la mémoire littéraire, literary memory, rêve, dream, fragmentary writing, écriture fragmentaire, Kilito, Kilito, Abdelfattah, Abdelfattah
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3396.More information
This article presents the evolution and trajectory of microcredit in the world and in Quebec, in a context of global socioeconomic transformation. The Quebec community credit model is still rooted in the field of solidarity finance. It is based on small organizations dedicated to community credit, and social and local development. The text also examines the practices of community credit organizations in order to find solutions to the problems of employment integration in a context of labour market fragmentation, job insecurity and rise of entrepreneurship. The analysis of the practices of community credit organizations that are part of the social and solidarity economy also reveals certain paradoxes, particularly the socio-economic integration of marginalized people through individualized solutions such as private entrepreneurship and self-employment.
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3397.More information
Algerian poet, singer and songwriter Lounès Matoub became an icon after his assassination. In the hearts of his people, he is the embodiment of an artist, having established himself with his talent, his outspokenness, his music and his poetry. His career cannot be dissociated from his political commitments. He fights against the Islamic fundamentalists and rebels against the governing power. He wants Berber, his mother language and that of his songs, recognized by the Algerian government. He examines history by recycling myths while revealing truths. He breaks societal taboos but unravels clichés. His songs tell of the trials of a tormented individual, but thousands of people recognize themselves in his songs. The scope of his poems is regional and rural. However, his desire extends to the whole nation, even to the universal. The tragedy of his life is inseparable from the tough political context that his words describe.
Keywords: Lounès Matoub, chansons, engagement politique, Algérie, champ artistique.
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3398.More information
This article shows that the traveler and author Ibn Battuta (1304-1377), abundantly studied in social sciences since the 1980s, has been largely ignored by Western travel literature critics. After stating the reasons for this indifference, the analysis turns to literary and ideological interpretations that would be useful to travel literature critics in order to include Arab travelers in their corpus : the category of “factual fantasy”, the auctorial multiplicity, and the double rhetoric of conservatism and liberalism, appear as invariants of The Rihla while counting among the timeless generic elements of the literary travel narrative.
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3399.
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3400.More information
Colonial archives let the voices of the colonizers be heard more than those of the colonized. From the analysis of precise documents - the archives produced by European actors - the purpose of this article is to bring to light two inverse processes. On the one hand, one that made the “indigenous” voices inaudible, and on the other, one through which certain African actors have tried to regain their agency by making their voices audible in return.
Keywords: sociolinguistics, sociolinguistique, voice, voix, colonial archives, archives coloniales, Afrique de l'Ouest, Western Africa