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AbstractBetween languages : Between by Christine Brooke-Rose — Between by Christine Brooke-Rose is an experimental novel which, like its heroine, a conference interpreter, is in constant movement between languages, places and identities. The space "between" suggests something of the "translational culture" which, according to Homi Bhabha, is increasingly the culture of our present.
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How freudian psychoanalysis can help us interpret the political dimension. How the concepts of psychoanalysis can be tools for naming and thinking hate in Politics. How psychoanalytical theories determine the political choices of psychoanalysts.
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Ce mémoire est né de la force d'un lieu, Manseau, un modeste village du Centre-du-Québec dont le surplus d'âme rachète largement la pauvreté des moyens. Bicéphale, il se partage entre la création et la réflexion. La première partie, Les vérités mobiles, prend la forme d'une fiction; la seconde, Penser l'oblique: écrire dans le sens des yeux, d'un essai réflexif. Les vérités mobiles est un court roman qui a ses racines dans le sol mansois. Il s'ouvre sur la mort de Nadia Camirand, pulvérisée par un train à quelques jours de son entrée à l'université. La disparition de la jeune femme ouvre une brèche dans l'âme de ce village fantasque et gouailleur, pétri de contradictions et gangrené par une petite mafia qui fait passer ses intérêts …
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The titles of several of François Blais' novels include the name of a female character—Iphigénie, Anne-Sophie, Valérie, Sam, Mélanie—giving the impression that these characters are central to the story. However, it seems that in the books in which the first two above-named characters, Iphigénie en Haute-Ville and Vie d'Anne-Sophie Bonenfant appear, it is male characters, narrators or points-of-view that control the story. Shifting the gaze onto them reveals characters of an ambiguous nature. This article argues that the tendency of critics to turn a blind eye to this particularity demonstrates the hegemony of a form of masculinity that, although appearing normal, is no less problematic.