Documents found
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343.More information
ABSTRACTWhen thinking about the relationship between film and literature, we usually focus on the influence of the former upon the latter. This article proposes a different perspective. It evokes the debate over the "reorganization of the artistic system" which arose after cinema's birth. It then demonstrates that a new visual sensibility arose at the turn of the century, particularly in literature, whether this literature had any direct link to the cinema or not. Eisenstein called the visual techniques found in "pre-cinematographic" literature "cinematism," and analysed these techniques in a number of works by Pushkin, Gogol, and Zola. Unlike Shklovskii, who insisted on the formal differences between the two media, Eisenstein located periods within film history which co-related to literary history. These debates are discussed here and contrasted with another conception of cinematism, that developed by modernist authors such as Bulgakov and Zamiatin.
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346.More information
The article proposes an interpretation of Castoriadis' work based on socio-ontological considerations. Following a quick evocation of the main function that ontology had at the birth of sociology, the article focuses on what has become, at least implicitly, the common denominator of ontological issues in sociology –the fact that reality is that which resists. Such a problematic is at the heart of three major socio-ontological paths – representation, production and action –, which, despite reciprocal borrowing, nevertheless constitute independent problematization. The interest Castoriadis' work is to have more or less explicitly proposed a total socio-ontology around the imaginary which, however, as the article strives to show, is finally only a variant of the ontology of representation.
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347.More information
Mediation is becoming a more peaceful and internationally accepted solution for solving conflicts. It is a dynamic and interactive process where a neutral third party that is the mediator assists disputing parties in resolving conflict. Normally, there is an assumption that the mediator will remain neutral. This thesis explores the neutral posture of the mediator when dealing with inter-cultural mediation. The purpose of this qualitative study was to investigate the understanding and implementation of neutrality of the intercultural mediator in practice. The research questions focused on the mediator's perceptions, interpretations, conceptions, implementation and effectiveness of the neutrality posture at mediation. Ten face-to-face semi-structured interviews were conducted with intercultural mediators hailing from diverse geographical locations. Data were coded and analyzed through thematic analysis. The findings of the study revealed that intercultural mediators have different views of neutrality in mediation. Moreover, they adopt the meaning and posture of neutrality according to their self-determination in practice. An alternative discourse for this study should be to frame a standard meaning to the term of neutrality by giving its absolute significance in mediation.
Keywords: Inter-cultural Mediation, Neutrality posture, Mediator, Meanings, practice, Médiation interculturelle, Posture de neutralité, Médiateur, Significations, Pratique
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348.More information
Rainer Maria Rilke (1875-1926), born in Prague under the Austro-Hungarian Empire, grew up in a multilingual and multicultural environment, learned several languages in the course of his life and transformed them, through his literary creations, into a poetic idiom. His parallel bilingual creations, such as “Füllhorn” and “Corne d'abondance,” show his ability to write in German and French, a talent that also led him to actively collaborate on the French translation of his Aufzeichnugen des Malte Laurids Brigge [Notebooks of Malte Laurids Brigge] (1904-1910). Published in 1926 in Paris, this translation was undertaken between 1923 and 1925 by the Alsatian writer Maurice Betz and was based on a genuine dialogue between the two poets, as evidenced not only by their correspondence, but also by the book Rilke vivant (Paris, 1937) that Betz published as a tribute to the author of the Aufzeichnungen.
Keywords: manuscrits de traduction, génétique des traductions, traduction collaborative, Rainer Maria Rilke, translation manuscripts, genetic translation studies, collaborative translation, Rainer Maria Rilke
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350.More information
Keywords: cinéma, réalisation, critique cinématographique, enseignement, témoignage