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192.More information
Composée d’images pirates, d’amours-amitiés, de souvenirs biomythographiés, de relations sensoréelles utopiques, de rituels écraniques et scripturaux, de poèmes constellés et de réflexions théoriques, cette thèse indisciplinée se monte comme une étagère polyvisuelle, à mil mains qui s’entraident. Elle donne à traverser la multiplicité de récits collectifs projetés spatialement sur différents supports : du papier au ciel, de la table à l’écran, du verre à l’idée… Cette recherche-création – qui s’intéresse à l’acte de création en tant qu’acte de résistance plutôt qu’à l’art – représente une occasion inédite de témoigner de la projection transmédiatique comme cheminement de pratique-pensée à la portée de toustes. Cette approche, collective et monstrueuse (crip-queer), se fait don et se laisse volontiers pirater. Dissidente de par les vies et les expériences qu’elle …
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193.More information
The multiplication of the private military and security companies as well as their increasing presence in war zones are raising numerous questionings beyond the (complex) subject of the status of these companies within the humanitarian international law. We shall here try to determine the impact of this "privatization of war" on the evolution of the public international law and, quite particularly, on the international humanitarian law. More precisely, can we assume that the international humanitarian law will gradually conform to the requirements of a market of war? In this respect, we shall here try to demonstrate that the commercial logic which presently prevails regarding the regulation of these companies is part of a historic course, inside of which the private actors present in war zones were granted a fluctuating legitimacy. This paper will be divided into three sections. Firstly, we will examine the presence of private actors within armed conflicts in a historical perspective in order to bring to light the relative novelty of the idea of the State's monopoly on legitimate violence. Secondly, we shall analyze the underlying causes of the appearance and the following multiplication of the private military and security companies, as well as their status within the international humanitarian law. Lastly, we will present a reflection on the impact of the "privatization of war" on the public international law and, more precisely, on the international humanitarian law.
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194.More information
In this article, the author enumerates and defines a number of variants of what is generally called Techno music and the numerous expressions used to describe it. He deals with Ambient, IDM (Intelligent Dance Music), Jungle or Drum and Bass, Glitch and Microsound music, grouped together under the umbrella term Electronica, dwelling on certain key moments in the evolution of the genre while at the same time painting a portrait of the principal players who serve as the driving forces of a new current running parallel to electroacoustics.
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197.More information
The Christian mission did not always have the pretension to embrace all Europe. At the beginning, only the people who once belonged to the Roman Empire were to be evangelized. However, the apostolic territory expanded, including towards Livonia in the XIIth century. Consequently, it is justified to wonder what urged the missionaries to these countries. To explain this phenomenon, it is necessary at first to define the risks incurred by these apostolic agents during the missions, whether the risks are environmental or human. Then, we have to explain what, in the evolution of Christianity, motivated these men to pursue the evangelization of pagans.