Documents found

  1. 1011.

    Haberkorn, Tobias

    Se sentir napolitain

    Article published in Eurostudia (scholarly, collection Érudit)

    Volume 8, Issue 1-2, 2012-2013

    Digital publication year: 2014

  2. 1012.

    Peterson, Michel

    Nelly me tangere

    Article published in Filigrane (scholarly, collection Érudit)

    Volume 21, Issue 2, 2012

    Digital publication year: 2013

  3. 1013.

    Article published in Ciel variable (cultural, collection Érudit)

    Issue 98, 2014

    Digital publication year: 2014

  4. 1014.

    Article published in Lumen (scholarly, collection Érudit)

    Volume 15, 1996

    Digital publication year: 2012

  5. 1016.

    Gravel, Jean-Philippe

    1 x 50 ans de cinéma

    Article published in Ciné-Bulles (cultural, collection Érudit)

    Volume 30, Issue 1, 2012

    Digital publication year: 2011

  6. 1017.

    Article published in Espace Sculpture (cultural, collection Érudit)

    Issue 98, 2011-2012

    Digital publication year: 2011

  7. 1018.

    Article published in Jeu (cultural, collection Érudit)

    Issue 17, 1980

    Digital publication year: 2010

  8. 1019.

    Article published in Globe (scholarly, collection Érudit)

    Volume 14, Issue 1, 2011

    Digital publication year: 2011

    More information

    It is now common for large cities to practise urban development by focusing on major projects that arise as ways of marketing the city. Consequently, the discourse associated with such projects uses local particularities as much as the global market. Montreal is part of these dynamics. This article discusses the transformations of the Quartier des Spectacles de Montréal in terms of urban memory and themed spaces. These two trends allow an interpretation of the relative positions of social groups involved in this major urban project. More specifically, it focuses on the intersection of Boulevard St. Laurent and Rue St. Catherine, where an important promoter has real estate projects. This area, emblematic of Quebec's largest city, is known to some as the Red Light. Among the municipality, the promoter, and city dwellers recruited for discussion workshops and interviews, it appears that all draw on distinct urban memories to define as many Red Lights.

  9. 1020.

    Article published in Lettres québécoises (cultural, collection Érudit)

    Issue 30, 1983

    Digital publication year: 2010