Documents found
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511.More information
Biblical archeology, or more accurately Syro-Palestinian archeology, has come out of its historicist epistemological frame. But how does theology itself fare in its own relation to history ? Can one respect the historicity of human condition—discovered by Modernity—without making of it an absolute criterion of one's understanding of the world, or without maintaining an historicist vision of God's mighty acts in the course of history ? Would there be another way of looking at Revelation and Incarnation ? This questioning is not new but it still deserves to be looked at once more. After reviewing the state of the debate, as illustrated by the positions of Sesbouë, Bühler, Yarbrough and Pelletier, this contribution offers a narrative—postmodern ?—alternative to the modern understanding of several concepts such as « event », « truth », « revelation », « (hi)story » and « historicity ».
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512.More information
AbstractThis article provides a clarification of a cultural approach to teaching. The author uses a contemporary hermeneutic frame of reference, specifically that represented by Gadamer and Ricoeur. He presents six principles and examines the pertinence of this approach in terms of the characteristics of fragmentation and dispersion of current culture, and which strongly affect school culture and the role of teacher as cultural mediator. A discussion is presented of the consequences of this approach on the development of conditions for pedagogy of culture.
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513.More information
AbstractThe Figure, the Figurative, De-Figuration, and Over-Figuration : Aspects of Poetic Translation — The figurative landscape of a poem is frequently modified, or, further, leveled, when translated, due to an incomplete understanding and perception — before its translation — of the "interior space of language" that constitutes the figure, as well as the figurative mechanisms. The pernicious, tenacious concept of the figure as the rhetoric's flower, as decorative element, is also often a frequent underlying theme in the translator's approach to a poetic translation; and it is here that we see the destructive tendency of translation : the figure's belonging to the poem's form, which is seen as being one with its meaning : the two indivisible.We examine here the fate of four key figures — comparison, metaphor, hypallage, and repetition — in diverse translations of poetry, in light of Meschonnic's general principle of concordance, for the establishment of a poetic relationship between a text and its translation. The demetaphorisation of any given translation suppresses or weakens the essential elements of the development and creation of meaning. The inverse of this ablation — or destruction, of figures is the addition of poetic translation. Animated by the desire to embellish or to beautify, to poeticize the original text, the translator adds supplementary flourishes onto the source text : this rhetorization is one of the most common translation practices of "aesthetic domination".Staying close to the figurative scheme of a poem means respecting its organic unity, and preserving its textual integrity.
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514.More information
AbstractPréfontaine's early work expresses a desire to embody speech in the "flesh of the world", to reach the rhythmic genesis of matter in the "anhumanity of the word". While Pays sans parole marks a return to man by naming the geographic spaces of a people broken by aphasia, its author is extremely reticent with regard to his own theme of the country. Between this reserve and a "religious" disillusion, the poet seems caught in a "non-place". Thus, Pays sans parole will be studied not in relation to nationalist discourse, but with regard to the poetics of the early Préfontaine, the Préfontaine of incarnation. The analyse of "Sous l'éclair d'homme", will permit to examine how the poet shapes the writing of the voice as it organises an experience of time, and will argue that this experience motivates the dream of having the word made flesh.
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515.More information
AbstractFor André Brochu, poetry is partly linked to the infinite and aims J at the enlarging of the " framework of human experience ", drawing on desire "above and beyond" the obvious. In other respects, time constitutes one of this poetry's privileged themes. This article aims to establish links between the " concrete infinite " spoken of by Brochu in an interview and the different manifestations of temporality in his poetry. It examines whether the broadening of the framework of experience passes through the imaginary, that is the thematic or narrative representation of another time or of an extra-temporality or rather through the tentative to avoid the story, to avoid the necessity to finish, conclude or finally, through an emphasis on rhythm, favoring renewal.
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516.More information
Too often when Aboriginal artworks from Australia are exhibited in museums or commercial galleries, they are decontextualized from the sociopolitical context of their production. I examine the museum practices elaborated during two exhibitions of art by Aboriginal people (1988 and 2012) enabling collaboration amongst knowledge-making institutions such as museums, indigenous artists and curators. Analyzing the different indexical forms deployed by curators, museums, and artists in temporary exhibitions, I ask how to rethink certain practices towards a decolonization of museums' « mise en scène ».
Keywords: Dussart, Australie, Aborigènes, peintures sur toile à l'acrylique, Yuendumu, pratiques muséales, Dussart, Australia, Aboriginal People, Acrylics, Yuendumu, Museum Exhibiting Practices, Dussart, Australia, Aborígenes, pinturas acrílicas sobre lienzo, Yuendumu, prácticas museísticas
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517.More information
This paper explores the content of moral evaluation operating in different treatment models of addiction in France by focusing on the trajectories of persons dependent on psycho-active products and actively searching for a solution to get free of its hold (partially or totally). We'll specially be questioning the treatment models the addicts pass through : specialized treatment centers (called CSAPA in France) and self-help groups such as Narcotics Anonymous and “Vie Libre” (for people with alcohol problems). By adopting an ethnographic position, both comprehensive and critical, we'll explore the construction of the “exit” of addiction with regard to the moral, social and institutional constraints. This article is based on data collected between 2010 and 2013. It combines observation of the environments of the treatment models, as well as biographical and semi-directive interviews with the professional caregivers (=15) and with the “addicts” (=41).The qualitative analysis of the data shows that the biographical work by the “addicts” allows a distancing of the experience of addiction. It's a question of establishing a moral judgment of one's past behavior while consuming the products. The category of “trajectoire de déprise” then allows to summarize the subjective ways of composing (oneself) with or without the use of drugs, without immediately referring to the ideal of abstinence. It's when narrativizing oneself in front of the caregivers or members of self-help groups, that we can observe a biographical disruption. The treatment models mediate this narration, because they contribute in deciding what can be told and what's unsayable. The narration becomes a condition to enter the society : by narrativizing oneself, the capable subject morally testifies him/herself as a responsible subject. This article questions the constraining aspect of this process, in this sense that the obligation of narrativizing oneself also participates in the construction of a moral subject capable of controlling him/herself.
Keywords: Addictologie, traitement, société addictogène, souffrance psychique, évaluation morale, Addictology, treatment, addictogenic society, mental suffering, moral evaluation, adictología, tratamiento, sociedad adictogénica, sufrimiento psíquico, evaluación moral
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518.More information
The task of this article is twofold. First, it is meant to sketch out the philosophical context within which the Derrida/Marion debate that happened in 1999 at the university of Villanova took place, and to overhaul the perspective that it puts forward, that the destiny of phenomenology itself is linked at the abandon of the concept of horizon : “Without horizon there is no phenomenology”, argues Derrida against Marion ; “the last step for a real phenomenology would be to give up the concept of horizon”, answers Marion to Derrida. This overhaul will then leads us to use the history of the concept of horizon as a heuristical guiding thread to flesh out what makes the unity of what we can call the French history of hermeneutical phenomenology, that is to say, firstly, the sharing of the same definition of philosophy, as the attempt to let the distinctive phenomenon be seen as it shows itself by itself. And, secondly, with and against the second Heidegger, of the same requirement of overcoming the horizon, as it is committed to the modern metaphysics of subjectivity. The principle on which such a reconstruction is based will finally allow us to consider the idea of a differentiated history of the alternative concepts of phenomenology and horizon. History which is yet to come.
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519.More information
The Epistle to Philemon is examined here at the junction of social criticism and discursive analysis, in order to reflect upon the identity which it puts forward. Whether in the rigid and violent sociological context of the 1st century regarding slavery, or, mutatis mutandis, in the context of the 21st century regarding neoliberalism, this brief epistle is a discourse that both expresses and seeks to go beyond the sociological dichotomy between fraternal relationships in Christ and the hierarchical relationships of submission between persons—a kind of ethical schizophrenia that is not peculiar to early Christianity alone. The social constructs master/slave (Philemon and Onesimus) and superior/client (Paul and Philemon) do not coincide with the structure of the communal fellowship, which rather values meekness and service, and aspires to encourage friendship to the point of fraternal love, thus redefining the true usefulness of persons.
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520.More information
In Quebec, where the teaching of so-called “national” history is a sensitive subject, the implementation of the 2017 Quebec and Canada History program raised several controversies. This article presents the results of descriptive research on the epistemological, didactic, and ideological foundations of this new program. The results show the program's curriculum is, in fact, a consensual exercise of style whose primary purpose is political: 1) managing the susceptibilities of some influence groups; 2) ensuring the social stability by promoting inclusive civic nationalism; 3) closing the controversy surrounding the issue of identity.
Keywords: programme d'histoire, épistémologie, didactique, idéologie, histoire du Québec et du Canada, history program, epistemology, didactic, ideology, history of Quebec and Canada, programa de historia, epistemología, didáctica, ideología, historia de Quebec y de Canadá