Documents found
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2003.
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2004.More information
Françoise Gaudet-Smet appears as a woman of paradox, rooted in tradition, and nonetheless looking forward to modernity. At first a journalist, writer, public speaker, she founded her own magazine, Paysana (1938), intended for countrywomen of the Province of Québec. In addition, she worked as a radio and television host, providing women with simple solutions to everyday problems. Known for her sensible approach to things, she values craftsmanship as a means of artistic fulfilment as well as economic growth, encourages women to educate themselves, create their own happiness and cultivate self-confidence. Close to her own rural roots, she traveled worldwide, and found Sweden particularly inspiring.
Keywords: Françoise Gaudet-Smet, Paysana, périodique, journalisme, radio, télévision, artisanat, Françoise Gaudet-Smet, Paysana, periodicals, journalism, radio, television, craftsmanship
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2005.More information
The current constitution of Quebec is made up of a constellation of documents. The same applies to the constitution of the Province of Quebec (1764-1791) and to those of Lower Canada (1792-1841) and the Province of Canada (1841-1867). However, two documents, now forgotten, once had considerable constitutional value. From the mid-eighteenth century to the mid-twentieth century, royal commissions and instructions issued by the British Crown to the Governor of the colony served as the basis for the constitution of Quebec and Canada. This article also reveals that these documents have given rise to various debates in the political sphere.
Keywords: Grande-Bretagne, Canada, Québec, Constitution, commissions, instructions royales, Great Britain, Canada, Quebec, Constitution, commissions, Royal Instructions
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2006.
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2007.More information
Radio, in Quebec, is marked by the circumstances of its birth. Indeed, the first commercial radio stations are owned by media companies and rapidly, a form of synergy emerges from the relationship between the two media, especially as radio is associated with strongly utopian representations of collective life. The page devoted to radio programming serves two purposes : on one hand, to popularize radio technology and render it accessible to an audience already won to mass media such as newspapers ; on the other hand, to encourage listeners to make wise choices by consulting the details of the programming offered by Canadian and American stations, while specifically highlighting local programs with which the newspapers are associated. As we do not have sound archives for the period between the wars, radio pages are valuable. The work of Marie-Thérèse Lefebvre allows us to reconstruct the programming and seize what was the contribution of radio to the cultural life of the time. At the same time, research in the press can help in finding traces of staged plays, of conferences, of read poems, but also to grasp the status of radio broadcasting through advertising and scholarly articles, and the use made of them in journalistic information. In short, the research that crosses press and radio invites to organize otherwise existing archives and even to imagine creating inaudible radio archives.
Keywords: CKAC, La Presse, CHLP, La Patrie, radio, presse, années 1920-1930, archives, média sonore, poésie québécoise, Robert Choquette, utopie radiophonique, CKAC, La Presse, CHLP, La Patrie, radio, press, years 1920-1930, archives, sound media, Quebec poetry, Robert Choquette, radio utopia