Documents found

  1. 231.

    Latour, Jean-Pierre

    L'oeuvre confisquée

    Article published in Moebius (cultural, collection Érudit)

    Issue 72, 1997

    Digital publication year: 2010

  2. 232.

    Article published in Revue de l'Université de Moncton (scholarly, collection Érudit)

    Volume 37, Issue 1, 2006

    Digital publication year: 2007

    More information

    AbstractThe novelist Were Were Liking has produced three novels with a particular aesthetic that she refers to as “chant-roman”.Those novels alternate, in a pronounced way, between song and narration. The song, talked about here, is polyphonic and poetic form. It is taken from the African oral character of which the particularity is to level in the same register the song, the epic, and the tale. The external structure of these songs gives to the novel the appearance of a poetic text. As to internal structure, it builds its signification through the structure of the songs which their objective is to pass on historical or cultural knowledge. The author's vision of the world is read through organisation that he does with this cultural and historical heritage. The narration is distinguished from the classical account. The narrator is a storyteller. The narrator frequently substitutes himself to the community from which he quotes the “saying”. These texts show originality in the reform, of novelty in the novelistic genre.

    Keywords: chant, narration, structure, conte, voix, polyphonie, oralité, esthétique romanesque, song, narration, structure, tale, voice, polyphony, unwritten, novel aesthetic.

  3. 233.

    Article published in Les Cahiers de lecture de L'Action nationale (cultural, collection Érudit)

    Volume 14, Issue 3, 2020

    Digital publication year: 2020

  4. 234.

    Article published in Lumen (scholarly, collection Érudit)

    Volume 37, 2018

    Digital publication year: 2017

  5. 235.

    Mazouz, Bachir and Cohendet, Patrick

    Mot de la rédaction

    Other published in Management international (scholarly, collection Érudit)

    Volume 23, Issue 5, 2019

    Digital publication year: 2020

  6. 236.

    Review published in Revue musicale OICRM (scholarly, collection Érudit)

    Volume 4, Issue 2, 2017

    Digital publication year: 2018

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    A one-day conference about Music and nation in the inter-war period (Europe-The United States and South America) took place on 10th December 2015 at the Maison de la Recherche in Paris. Musicologists and historians questioned the connection between music and the national feeling that can be found in interwar democracies. In studies about the 19th century and authoritarian regimes, this link has already been put forward. However, this day is the first step of an international research project launched by the Department of Cultural History of Contemporary (or Modern) Societies at the University of Saint-Quentin-en-Yvelines and by the laboratory of Synergy, Languages, Arts and Music (slam) of the University of Evry-Val d'Essonne as well as the Institute of Research in Musicology (cnrs, University Paris-Sorbonne). The association between “music and nation” was questioned again in 2016 in Manchester. In the near future, the issue will be at stake in Montreal during a symposium which will take place in October 2018.

    Keywords: musique, nation, entre-deux-guerres, Europe, Amériques, Music, nation, inter-war period, Europe, America

  7. 238.

    Article published in Revue d'histoire de l'Amérique française (scholarly, collection Érudit)

    Volume 10, Issue 3, 1956

    Digital publication year: 2008

  8. 239.

    Article published in Revue d'histoire de l'Amérique française (scholarly, collection Érudit)

    Volume 15, Issue 3, 1961

    Digital publication year: 2008