Documents found
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2601.More information
Two hundred years later, the French Revolution lives on on our screens in films, docu-dramas, TV series and video games. Representations of the past are part of an iconographic and fictional tradition that can be traced back. In fact, there are contemporary mythologies of the Revolution in the forms, motifs and current discourse that authors project onto this period. In return, these fictions feed a social imagination that clashes with the work of historians.We therefore propose to use contemporary mythologies to conduct a genealogy of the image. More specifically, we will take a look at the TV series La Révolution (Molas and Guasti, Netflix, 2020) to understand the artistic and cultural roots of this work. The series recounts the fantastical origins of the Revolution, which is said to have been caused by a virus called “Sang bleu”, spread by aristocratic vampires. The French series is said to be the transposition of a Japanese manga into a revolutionary background. To grasp all the authors' inspirations, we will draw on design sources such as interviews and reviews.In this way, we want to show that La Révolution is an adaptation of literary motifs that appeared at the end of the eighteenth century, on which other, more recent inspirations have been superimposed. The series is not a new script, but part of an old, ideologically-oriented fictional tradition. We will use contemporary mythologies of the French Revolution (violence, fascination with the guillotine, eschatological iconography, teleologism) to carry out this genealogy.
Keywords: Révolution française, French Revolution, Cinema, Cinéma, Télévision, Television, Imaginaires, Imaginary, Fiction, Fictions, Mythologies, Mythology
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2602.
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2603.
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2606.More information
In January 1917, an article by Georg Simmel, “Individualismens Former”, appeared in the Danish journal Spectator. Citing an editorial note herein, Simmel researchers have trusted that Simmel wrote the text in Danish and authorized the article (Rammstedt et al, 2015: 690; Christensen et al (eds.): 2019).On the contrary, we use archives, memoires and historical research to show that the editorial note in fact concealed the true provenance of Simmel’s text. The German propaganda machine during World War 1 secretly financed the journal Spectator. The editor therefore had a motivation to alter a crucial passage in the text.
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2609.More information
This article will analyze the character of the mentor in Seventeenth Century novels through the use of three electronic resources : the textual analysis tool Voyant ; the Satorbase database of recurrent narrative sequences ; and the BiblioToucher virtual library of Ancien Régime texts. Using representations of mentoring in four quite different novels (Le Voyage dans la lune, la Princesse de Clèves, Amelonde and l’Histoire de la Marquise-Marquis de Banneville) the key words associated with mentors will be identified and analyzed. This analysis will be applied to these and other texts of the period in an attempt to semi-automatically identify recurrent narrative sequences.
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2610.