Documents found

  1. 1601.

    Review published in Bulletin de la Société d'Histoire de la Guadeloupe (scholarly, collection Érudit)

    Issue 155, 2010

    Digital publication year: 2016

  2. 1602.

    Article published in Voix et Images (scholarly, collection Érudit)

    Volume 2, Issue 1, 1976

    Digital publication year: 2006

  3. 1603.

    Le Duc, Ky Nam

    Linda

    Article published in Biscuit Chinois (cultural, collection Érudit)

    Issue 2, 2006

    Digital publication year: 2009

  4. 1604.

    Other published in TTR (scholarly, collection Érudit)

    Volume 26, Issue 2, 2013

    Digital publication year: 2016

  5. 1605.

    Other published in Nouvelle Revue Synergies Canada (scholarly, collection Érudit)

    Issue 18, 2024

    Digital publication year: 2024

  6. 1606.

    Review published in Sens public (scholarly, collection Érudit)

    2023

    Digital publication year: 2024

    More information

    Probably inspired by la Comtesse de Ségur, Sophie Rabau, lecturer at Sorbonne Nouvelle University (and new novelist, author of Embrasser Maria [2022]), went to the trouble of writing for her young, mischievous and disobedient students, a very strict manual of literary theory exercises… also valid for any novelist.

    Keywords: Michel Butor, Nathalie Sarraute, Roland Barthes, Mikhaïl Bakhtine, Marcel Proust, André Breton, Intertexte, Julia Kristeva, Philippe Sollers, Thérorie Littéraire, Intertext, Literary theory, Michel Butor, Nathalie Sarraute, Roland Barthes, Mikhaïl Bakhtine, Marcel Proust, André Breton, Julia Kristeva, Philippe Sollers

  7. 1607.

    Article published in Dalhousie French Studies (scholarly, collection Érudit)

    Issue 125, 2024

    Digital publication year: 2024

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    Through Paul Cézanne (1839-1906) and Eugène Guillevic (1907-1997), this article probes artistic realization as a topos in modern art since the 1800s. Interart discourse including art historical contexts and Guillevic’s early notebook entries in Écrits intimes (2019) help us assess a foremost influence and implicit mentor who taught the poet to favor a concrete, personal, textured, highly focused vision of things seen. At issue in the analyses is the artist’s or poet’s diligent crafting of a perspective that valorizes earthy materiality filtered through the observer’s subjective sensations, which often draw inspiration from immediate surroundings in favorite natural locales. Inclus, in particular, which addresses the poem as sacred space, proposes like Cézanne’s artworks with their colorful constructive brushstrokes that authenticity need not mean direct transcription of the real. Close readings accompany Guillevic as he dialogues indirectly with Cézanne, affirming his own ability to see clearly and make his oeuvre a ritualized fête while exemplifying controlled contemporary lyricism and thus important aspects of French literary modernity.

  8. 1608.

    Other published in Voix et Images (scholarly, collection Érudit)

    Volume 49, Issue 1, 2023

    Digital publication year: 2025

  9. 1609.

    Article published in Nouvelles vues (scholarly, collection Érudit)

    Issue 15, 2013

    Digital publication year: 2025

  10. 1610.

    Other published in Women in Judaism (scholarly, collection Érudit)

    Volume 21, Issue 1, 2024

    Digital publication year: 2024

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    Keywords: Sandy Eisenberg Sasso, women rabbis, Reconstructionist Rabbinical Association