Documents found

  1. 181.

    Article published in Revue de l'Université de Moncton (scholarly, collection Érudit)

    Volume 51, Issue 1, 2020

    Digital publication year: 2023

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    For Anna Giaufret, comic is a genre torn between the desire to go against the standard norm and the will to respect it (2019, p. 116). These two attitudes towards language – one in favor of varieties and the other leaning on the standard – are both staged in Acadian comics Acadieman (2002-2017) by Dano LeBlanc and Capitaine Acadie (2019 et 2021) by Daniel and Dany Bouffard. More specifically, I will study the three first issues of Acadieman and the two volumes of Capitaine Acadie. My hypothesis is that a normative language goes hand in hand with normative aesthetics and representations. Conversely, the use of a more flexible language not only exposes the “low” and non-normative, but also allows for the play with different kinds of norms.

    Keywords: Bande dessinée, littérature acadienne, chiac, Acadieman, Capitaine Acadie, Comics, Acadian literature, chiac, Acadieman, Capitaine Acadie

  2. 182.

    Article published in Lettres québécoises (cultural, collection Érudit)

    Issue 156, 2014

    Digital publication year: 2014

  3. 183.

    Viau, Michel

    La BD au Québec

    Article published in Québec français (cultural, collection Érudit)

    Issue 149, 2008

    Digital publication year: 2010

  4. 184.

    Lefébure du Bus, Olivier

    BD

    Article published in Séquences (cultural, collection Érudit)

    Issue 173, 1994

    Digital publication year: 2010

  5. 185.

    Article published in Lurelu (cultural, collection Érudit)

    Volume 23, Issue 2, 2000

    Digital publication year: 2010

  6. 186.

    Article published in Lurelu (cultural, collection Érudit)

    Volume 40, Issue 2, 2017

    Digital publication year: 2017

  7. 187.

    Article published in Lurelu (cultural, collection Érudit)

    Volume 34, Issue 2, 2011

    Digital publication year: 2011

  8. 190.

    Article published in Études littéraires (scholarly, collection Érudit)

    Volume 30, Issue 1, 1997

    Digital publication year: 2005

    More information

    It is not easy to explain the traditional photographic novel's poverty of inspiration and formal treatment.Invoking the impact of economic constraints and the sociological characteristics of its readership has for too lon thwarted a searching reflection on the subject. In focusing on the expressive limitations of the photo novel, some contemporary critiques force us to shift our gaze from the aesthetic or thematic, to the material aspects of the medium. Following Jan Baetens' lead, this article retraces a number of strategies at work in recent exemplars of the genre.