Documents found

  1. 3151.

    Article published in Lurelu (cultural, collection Érudit)

    Volume 44, Issue 3, 2022

    Digital publication year: 2022

  2. 3152.

    Beaumier, Jean-Paul, Bélanger, Gaétan, Boivin, Pierrette, Bolduc, René, Collin, Julie, Hudon, Jean-Guy, Lavallée, François and Rajotte, Pierre

    Essai

    Article published in Nuit blanche, magazine littéraire (cultural, collection Érudit)

    Issue 175, 2024

    Digital publication year: 2024

  3. 3153.

    Article published in Frontières (scholarly, collection Érudit)

    Volume 30, Issue 1, 2018

    Digital publication year: 2018

    More information

    The Grim Reaper, one of the thanatic images of western iconography, has often been used in artistic and cinematographic creation. It has also been the subject of a humorous reinterpretation, which will be explored in this paper using contemporary examples (movie, cartoons and drawings available on the Internet). The analysis highlights scenographic and discursive strategies to create humorous effects (incongruity, aggressiveness, quid pro quo, etc.) that aim to humanize death by exploring the stakes and dilemmas that the Grim Reaper encounters in its existence and role.

    Keywords: Grande Faucheuse, humour, film, bande dessinée, dessins humoristiques, Grim Reaper, humor, film, cartoons, humoristic drawings

  4. 3154.

    Article published in Entre les lignes (cultural, collection Érudit)

    Volume 3, Issue 4, 2007

    Digital publication year: 2010

  5. 3155.

    Article published in Cahiers de géographie du Québec (scholarly, collection Érudit)

    Volume 45, Issue 126, 2001

    Digital publication year: 2005

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    The article tries to demonstrate that cartography can create mythologies about Africa that can be defined 'of return', that is, created by western people and transferred into the project of the colonies, as if they were African qualifies. The first mythology makes Africa a territory rich in resources and possibilities of exploitation; the second considers Africa as a land that must be developed according to a colonialist perspective, as it seems empty of social and political meaning. The analysis of the cartographic language of the maps published in the geographical reviews at the beginning of colonialism in French Western Africa (AOF) shows that, through the semiotic mechanisms concerning the basic designators, the territory produced by the local populations had no importance. The mythologies 'of return', created by cartography, are not only undeserved attributions, but also means which can exclude a reality, a basic identity, that exactly on the territory and through the territory could have been recovered.

    Keywords: cartographie coloniale, Afrique, sémiotique cartographique, mythologies de retour, toponymes basiques, colonial cartography, Africa, semiotics of cartography, mythologies of return, basic designators

  6. 3156.

    Article published in Québec français (cultural, collection Érudit)

    Issue 158, 2010

    Digital publication year: 2011

  7. 3157.

    Article published in Vie des Arts (cultural, collection Érudit)

    Volume 46, Issue 185, 2001-2002

    Digital publication year: 2010

  8. 3158.

    Article published in Bulletin de la Société d'Histoire de la Guadeloupe (scholarly, collection Érudit)

    Issue 178, 2017

    Digital publication year: 2018

  9. 3159.

    Article published in Convergences francophones (scholarly, collection Érudit)

    Volume 8, Issue 1, 2023

    Digital publication year: 2023

  10. 3160.

    Article published in Communiquer (scholarly, collection Érudit)

    2020

    Digital publication year: 2020

    More information

    This article draws a map of UQAM research on journalism. We first return to the beginnings of journalism teaching in the 1970s, until the official creation of a full-fledged undergraduate degree in journalism in 1995. We then carry out a review of the research literature in four sectors: research on content and representations; those on the conditions of production of information and on journalistic practices (the political economy of journalism); those on power relations between journalists and their sources; and finally the investigations of reflective practitioners. We conclude that the UQAM journalism studies are rich, plural and diverse on the one hand, and relatively dispersed on the other, and that it would be relevant to encourage more dialogue between teaching and research, but also between researchers.