Documents found
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3704.More information
This paper assesses the reality and sources of the Constitutionnel's sea serpent case, attributing to this newspaper the authorship of the invention of this journalist's joke (hoax), circulated as a running gag during the 19th century. The subject is not so much the dissemination of sea serpent stories as this problematic attribution, which became traditional in the history of the French press. At the end of our inquiry, after what might seem like a police investigation, it is established that the first mention of a sea serpent indeed really took place in this newspaper in 1817-18, when it was called the Journal du commerce, a paper that had no exclusivity in the dissemination of this hoax, which had its source in American papers. Before the digitization of newspapers, it was difficult if not impossible to find brief mentions or even articles on these elusive subjects. It was therefore easy to make fun of them without having to provide any proof or justification.
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3705.More information
In this almost 1,200-page book, economist Thomas Piketty explores the ideological and political foundations of economic and social structures through a historical and comparative lens. It is about unravelling the relationships between politics and the economy in time and space, in order to understand how “unequal regimes” are established, transformed or perpetuated. After demonstrating the exacerbation of socio-economic inequalities over the past thirty years, he suggests solutions for a socially fairer model of development.
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3707.More information
Keywords: création littéraire, sang, filiation, violence, poésie, essai, prose
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3710.More information
The thinking which led to this text emerged from several years of field experience in various Indigenous communities. With the recognition of Indigenous cultures and individuals as the main objective, the research group Design et Culture matérielle (DCM) seeks to elaborate and implement, through a collaborative approach, effective means of cultural transmission and expression. Anchored within the specific areas of design and education, this research note describes the development of a pedagogy adapted to the needs and skills of Indigenous artisans and artists for the design and graphic production of a poster. The study of the process and the creations of a craftswoman from Uashat mak Mani-Utenam, Jeanne-Mance Ambroise, allows for the analysis of explicit and implicit interactions of the training method elaborated. The analysis of the results validates the initial objective of the DCM group, namely to permit the craftswoman's personal expression when creating posters expressing her culture.
Keywords: design graphique, expression culturelle, autochtone, Premiers Peuples, muséographie, artisan