Documents found

  1. 41.

    Article published in Lurelu (cultural, collection Érudit)

    Volume 23, Issue 1, 2000

    Digital publication year: 2010

  2. 42.

    Thesis submitted to Université du Québec à Trois-Rivières

    2012

  3. 43.

    Desharnais, Francis

    S'adapter

    Article published in 24 images (cultural, collection Érudit)

    Issue 170, 2014-2015

    Digital publication year: 2014

  4. 44.

    Article published in Entre les lignes (cultural, collection Érudit)

    Volume 4, Issue 3, 2008

    Digital publication year: 2010

  5. 45.

    Skilling, Pierre

    La bande dessinée

    Article published in Québec français (cultural, collection Érudit)

    Issue 149, 2008

    Digital publication year: 2010

  6. 46.

    Article published in Liaison (cultural, collection Érudit)

    Issue 108, 2000

    Digital publication year: 2010

  7. 48.

    Legendre, Izabeau and Lefort-Favreau, Julien

    Des centres et des marges. La trajectoire de Julie Doucet

    Article published in Mémoires du livre (scholarly, collection Érudit)

    Volume 14, Issue 1, 2023

    Digital publication year: 2023

    More information

    This article studies Julie Doucet's trajectory as a revelation of the dynamics and issues related to the spheres of cultural production in which the artist is embedded. From her beginnings in the Montreal “underground” comic scene in the second half of the 1980s to her so-called “farewell” to the medium at the end of the following decade, Julie Doucet has journeyed through some of the most important venues in the world of North American and European comics, from Montreal to Berlin, via New York, Portland (Oregon) and Paris. Doucet's work has been widely studied and is considered to embrace some of the characteristics of 1990s comics: body representation, sexuality and the abject; and a feminist inclination. To these themes, we propose adding the fragmentation of the medium in which she operates brought about by new forms and techniques. Particular attention will be given to the place that Doucet's comics occupy in a larger set of practices, notably the close relationship that she maintains with the margins of cultural production. The relationship is most obvious in the production of Doucet's zines - both before her professionalization at the turn of the 1980s and 1990s and since her withdrawal at the turn of 1990-2000. Our article addresses, in a somewhat subversive manner, the following question: how is the relationship between the margin and the center negotiated for an artist like Doucet, particularly in light of the late integration of comics into the cultural field? Examining Doucet's work from such an angle reveals a central operator: her play with the outsider position. This operator is perceptible both in the internal reading of the works (the choice of themes and of language, and the formal exploration at the heart of her approach), and in Doucet's editorial and strategic choices (the relationship to comics over the long term and the return to the zine, her mobility, her personal comments on her career and her work). Finally, our article presents an exhaustive ground-breaking bibliography of Doucet's publications, including all of her self-published works, from the second half of the 1980s to the present.

    Keywords: Julie Doucet, Zines, Bande dessinée, Transferts, Marginalité, Julie Doucet, Zines, Comics, Transfers, Marginality

  8. 49.

    Allen, Nancy and Lévesque, Maryse

    L'album pour la jeunesse et la bande dessinée

    Article published in Québec français (cultural, collection Érudit)

    Issue 172, 2014

    Digital publication year: 2014

  9. 50.

    Article published in 24 images (cultural, collection Érudit)

    Issue 170, 2014-2015

    Digital publication year: 2014