Documents found

  1. 11.

    Venkatasawmy, Rama and O'Regan, Tom

    Le cinéma australien face au nouveau millénaire

    Article published in Ciné-Bulles (cultural, collection Érudit)

    Volume 17, Issue 4, 1999

    Digital publication year: 2010

  2. 12.

    Falardeau, Éric

    Et après ?

    Article published in 24 images (cultural, collection Érudit)

    Issue 212, 2024

    Digital publication year: 2024

  3. 13.

    Article published in Quaderni (scholarly, collection Persée)

    Volume 24, Issue 1, 1994

    Digital publication year: 2009

  4. 14.

    Article published in Liaison (cultural, collection Érudit)

    Issue 39, 1986

    Digital publication year: 2010

  5. 15.

    Article published in 24 images (cultural, collection Érudit)

    Issue 197, 2020

    Digital publication year: 2021

  6. 16.

    Article published in L'Actualité économique (scholarly, collection Érudit)

    Volume 45, Issue 3, 1969

    Digital publication year: 2011

  7. 17.

    Article published in 24 images (cultural, collection Érudit)

    Issue 212, 2024

    Digital publication year: 2024

  8. 18.

    Article published in 24 images (cultural, collection Érudit)

    Issue 80, 1995-1996

    Digital publication year: 2010

  9. 19.

    Article published in 24 images (cultural, collection Érudit)

    Issue 212, 2024

    Digital publication year: 2024

  10. 20.

    Article published in Sens public (scholarly, collection Érudit)

    2022

    Digital publication year: 2023

    More information

    A special effect works in the mind of the spectator when the various manipulations that allowed the creation of the shot become invisible, even imperceptible. The spectator must forget that what he sees on the screen is not authentic, that it was not fully shot in one take or even by a single camera. Composite image is made from different visual elements, and it has been one of the areas of special effects from the early days of cinema until today. From live action cinema to animation techniques, from Georges Méliès to BUF Company, the object of this article is to study the creation of composite images in the field of movies special visual effects. Who are the specialists who work for these spectacular productions, capable of making believable images in the most impossible visions of an author or a filmmaker?

    Keywords: Trucage, Effet visuel, Image composite, Compositing, Incrustation, Exposition multiple, Animation, Images de synthèse, Georges Méliès, Photoréalisme, BUF compagnie, Special effect, Trick films, Visual effect, VFX, Composite image, Compositing, Chromakey, Multiple exposure, Animation, CGI, Georges Méliès, Photorealism, BUF company