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670.More information
Taking note of the film Tinamer's focus on pleasure and enjoyment, critics have pronounced that it shows conformity to dominant cinema. But they have not considered this film as an artistic unity obeying to its own rules. Nor have they taken into account the fact that Tinamer's unusual nature requires a change in spectator behaviour: the film must be read in terms of an aesthetic other than the ideology of realism and verisimilitude. The analysis concludes that Tinamer's atypicality grounds the identification of a new condition of reception which the author undertakes to outline.