Documents found

  1. 7991.

    Brouillet, Alain

    Revues des revues

    Note published in Annuaire français de droit international (scholarly, collection Persée)

    Volume 29, Issue 1, 1983

    Digital publication year: 2017

  2. 7992.

    Note published in Annuaire français de droit international (scholarly, collection Persée)

    Volume 15, Issue 1, 1969

    Digital publication year: 2017

  3. 7993.

    Article published in Management international (scholarly, collection Érudit)

    Volume 15, Issue 2, 2011

    Digital publication year: 2011

    More information

    Diffusion of comptency management tools allow to analyze how they are used by employees (Gilbert, 2003). This article shows that the analysis of unexpected uses is a way to better understand the dynamics of those tools. Data collected in a petrochemical company that pays the competencies for 10 years show that a management tool is consituted by heterogeneous elements that are articulated. The unexpected uses weak this articulation. Those uses appear therefore as an explanation of the trajectory of this management tool.

    Keywords: Gestion des compétences, usage imprévu, dynamique, rémunération, instrument de gestion, Competency management tool, unexpected use, dynamics, compensation, Gestión de competencias, usos imprevistos, dinámica, remuneración, herramienta de gestión

  4. 7994.

    Article published in Circuit (scholarly, collection Érudit)

    Volume 19, Issue 3, 2009

    Digital publication year: 2009

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    AbstractIn this excerpt from her book Sackbut Blues, Gayle Young outlines the story of early electronic music, and provides a window into a specific historical era when scientific and artistic innovation were strongly supported by the public and by public institutions. It is based on many interviews with colleagues of Hugh Le Caine as well as excerpts from written correspondence. The musical intentions of Le Caine's instruments are outlined, as well as the technical means of creating them. His early emphasis on touch-sensitive keys, and the simultaneous control of many different musical parameters, was evident in the 1948 sackbut, an instrument in which he used voltage control for the first time, making the sackbut the first analogue synthesizer. His 1955 composition Dripsody, made on his prototype multi-track, used a keyboard similar to that in the sackbut, but rather than control electronic tone generators, it controlled the playback speed of several reels of tape. For Le Caine, sound was the basic medium of music, whether electronic or sampled.

  5. 7995.

    Article published in Revue des études slaves (scholarly, collection Persée)

    Volume 65, Issue 4, 1993

    Digital publication year: 2011

  6. 7996.

    Article published in Bibliothèque de l'école des chartes (scholarly, collection Persée)

    Volume 148, Issue 2, 1990

    Digital publication year: 2008

  7. 7997.

    Review published in Revue des sciences de l'éducation (scholarly, collection Érudit)

    Volume 7, Issue 3, 1981

    Digital publication year: 2009

  8. 7998.

    Review published in L'année psychologique (scholarly, collection Persée)

    Volume 41-42, Issue 1, 1940

    Digital publication year: 2007

  9. 7999.

    Article published in Revue de géographie alpine (scholarly, collection Persée)

    Volume 34, Issue 2, 1946

    Digital publication year: 2007

  10. 8000.

    Article published in Revue internationale de droit comparé (scholarly, collection Persée)

    Volume 33, Issue 2, 1981

    Digital publication year: 2008