Documents found

  1. 1011.

    Article published in Lettres québécoises (cultural, collection Érudit)

    Issue 67, 1992

    Digital publication year: 2010

  2. 1012.

    Article published in Canadian University Music Review (scholarly, collection Érudit)

    Volume 9, Issue 1, 1988

    Digital publication year: 2013

  3. 1013.

    Article published in Les Cahiers de la Société québécoise de recherche en musique (scholarly, collection Érudit)

    Volume 16, Issue 1-2, 2015

    Digital publication year: 2017

    More information

    Ragtime and jazz became further established as fashionable music in the Parisian cultural scene of the 1920s as a result of US troops landing in France in 1917. Over the next decade, a group of young people, between the ages of 18 and 20, created an association that became a surprisingly solid support, able to promote jazz in France through the organization of concerts, the creation of clubs outside the capital, the creation of the label Swing, and the publication of the magazine Jazz Hot as well as books about jazz. Through these initiatives, the Hot Club of France would quickly become the leading association to promote jazz in both North America and Europe. Links were created with North American jazz specialists like Helen Oakley and Marshall Stearns to found American Hot Clubs and the International Federation of Hot Clubs. The activities of the Hot Club of France influenced the projects of figures of American jazz history like John Hammond, Alfred Lion, and Francis Wolff.

  4. 1014.

    Article published in Jeu (cultural, collection Érudit)

    Issue 24, 1982

    Digital publication year: 2010

  5. 1015.

    Article published in 24 images (cultural, collection Érudit)

    Issue 44-45, 1989

    Digital publication year: 2010

  6. 1016.

    Article published in Spirale (cultural, collection Érudit)

    Issue 224, 2009

    Digital publication year: 2010

  7. 1017.

    Lépine, Stéphane

    La musique du hasard

    Article published in 24 images (cultural, collection Érudit)

    Issue 103-104, 2000

    Digital publication year: 2010

  8. 1018.

    Article published in Liaison (cultural, collection Érudit)

    Issue 139, 2008

    Digital publication year: 2010

  9. 1019.

    Marcotte, Gilles

    L'ophicléide manquant

    Article published in Liberté (cultural, collection Érudit)

    Volume 31, Issue 5, 1989

    Digital publication year: 2010

  10. 1020.

    Review published in Communiquer (scholarly, collection Érudit)

    Issue 35, 2022

    Digital publication year: 2023

    More information

    This reading note concerns the book The Future of Live Music, published by Bloomsbury editions (2020). Directed by three professors from the University of Central Lancashire (Preston, United Kingdom), it involves 16 contributors in 13 chapters divided into five thematic parts: approaches, technology, artists, spaces and ratings. Its objective is to outline what could be the new challenges of live music.