Documents found

  1. 1182.

    Article published in Intersections (scholarly, collection Érudit)

    Volume 39, Issue 2, 2019

    Digital publication year: 2022

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    Composers' libraries, as collections of texts, have undergone few investigations, hence leading to a lack of recognition of their intellectual and hermeneutic values in musicology. However, since the 19th century, because of the development of musicology and the appropriation of musical criticism by musicians, the composer is no longer just a craftsman but a thinker of his art: he becomes an intellectual. An examination of the library of Vincent d'Indy (1851–1931) and his writings altogether, makes it possible to clarify an intellectual dynamic peculiar to this composer, and more precisely to reveal the primordial epic dimension of the library, which is thus at the origin of a cross-referenced reflection on the literary epic and what d'Indy calls “the musical epic”.

    Keywords: bibliothèque, Vincent d'Indy, lecture, épopée musicale, library, Vincent d'Indy, reading, musical epic poem

  2. 1183.

    Article published in esse arts + opinions (cultural, collection Érudit)

    Issue 87, 2016

    Digital publication year: 2016

    More information

    Keywords: nature

  3. 1184.

    Marcotte, Gilles

    Bâtons rompus

    Article published in Liberté (cultural, collection Érudit)

    Volume 40, Issue 3, 1998

    Digital publication year: 2010

  4. 1185.

    Other published in Circuit (scholarly, collection Érudit)

    Volume 30, Issue 1, 2020

    Digital publication year: 2020

  5. 1186.

    Article published in Lurelu (cultural, collection Érudit)

    Volume 26, Issue 1, 2003

    Digital publication year: 2010

  6. 1187.

    Article published in Les Cahiers de la Société québécoise de recherche en musique (scholarly, collection Érudit)

    Volume 10, Issue 1, 2008

    Digital publication year: 2018

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    The 75th anniversary of the Montreal Symphony Orchestra provides the opportunity to introduce, or rediscover Désiré Defauw, the first conductor to hold a permanent position with the Société des Concerts Symphoniques de Montréal, the MSO's immediate predecessor. The twelve years (from 1941 to 1953) that the Belgian-born Defauw held the position of conductor of the Société des Concerts were crucial to the rise and professional development of that organisation, due in large part to his musical proficiency, prestige, and experience conducting some of the great European symphony orchestras. Defauw's care in choosing and varying concert programmes and his broadening of the orchestral repertoire to give pride of place to Canadian music were the building blocks of the orchestra. His professional connections with internationally renowned composers, soloists, and conductors were a key factor in promoting and disseminating the orchestra's work, which led in turn to the high level of performance and enviable reputation the MSO enjoys today.

  7. 1188.

    Bourassa-Trépanier, Juliette

    Arthur Leblanc

    Article published in Cap-aux-Diamants (cultural, collection Érudit)

    Volume 5, Issue 2, 1989

    Digital publication year: 2010

  8. 1190.

    Article published in Ciné-Bulles (cultural, collection Érudit)

    Volume 21, Issue 3, 2003

    Digital publication year: 2010