Documents found

  1. 1261.

    Other published in Circuit (scholarly, collection Érudit)

    Volume 16, Issue 3, 2006

    Digital publication year: 2010

  2. 1262.

    Article published in Intersections (scholarly, collection Érudit)

    Volume 27, Issue 2, 2007

    Digital publication year: 2012

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    Research on the development of the musical abilities of young children is on the rise. In the past 30 years, music psychologists inspired by constructivist and socioconstructivist theories have developed various approaches in order to better understand the musical knowledge of preschoolers. This article critiques and establishes an inventory of five main trends that have been developed over the last three decades. In addition, it reiterates the importance of music education in the preschool period and the positive role it can play in interdisciplinary curricula.

  3. 1264.

    Article published in Revue musicale OICRM (scholarly, collection Érudit)

    Volume 8, Issue 2, 2021

    Digital publication year: 2022

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    In making Tenue de soirée (1986), director Bertrand Blier sought to recreate the atmosphere of Les Valseuses (1974), with its self-proclaimed and acknowledged iconoclasm. Originally titled Rimmel, this story of a love triangle once again affirms the filmmaker's taste for provocation. Gainsbourg quickly became the obvious choice for the music, but the composer who had already created the music for Si j'étais un espion, Blier's first feature film, had nevertheless refused to compose Les Valseuses. Following on from his album Love on the Beat, which had just been released and on the cover of which Gainsbourg appears in drag and make-up, the work on Tenue de soirée seemed natural.For Serge Gainsbourg, cinema always represented a site of experimentation allowing him to create or recreate/recycle musical themes, with the help of his arrangers. The score for Tenue de soirée is no exception to the rule, marked by transtextual references that still manage to construct a veritable musical staging of this film and of the transformation of its main character.

    Keywords: Serge Gainsbourg, Bertrand Blier, Tenue de soirée, transtextualité, musique de film, Serge Gainsbourg, Bertrand Blier, Tenue de soirée, transtextuality, film music

  4. 1265.

    Article published in Études françaises (scholarly, collection Érudit)

    Volume 22, Issue 3, 1986

    Digital publication year: 2007

  5. 1267.

    Article published in Les Cahiers de la Société québécoise de recherche en musique (scholarly, collection Érudit)

    Volume 22, Issue 1-2, 2021

    Digital publication year: 2023

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    In March 2019, Stephanie Vallet published an article in La Presse questioning the lack of female artists on the Billboard Canadian Hot 100 chart. The results of Vallet's study demonstrate the sharp decline of women in the Canadian music ecosystem—an ecosystem in which commercial radio plays an important role in artist discovery. Beyond the feminist issues addressed by Vallet, issues related to racial and linguistic diversity on radio must also be raised.

  6. 1268.

    Review published in Revue musicale OICRM (scholarly, collection Érudit)

    Volume 10, Issue 2, 2023

    Digital publication year: 2023

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    Keywords: interdisciplinarité, Sergio Leone, Ennio Morricone, musique à l'image, western spaghetti, interdisciplinarity, Sergio Leone, Ennio Morricone, music for film, Spaghetti Western

  7. 1270.

    Article published in L'Annuaire théâtral (scholarly, collection Érudit)

    Issue 40, 2006

    Digital publication year: 2010

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    This article examines Montreal's Théâtre du Nouveau Monde's 1964 experimental—if now half-forgotten—production of Klondyke from several points of view. First, as an exploration of "collective creation," although neither the term nor the concept had yet entered theatre practice in Quebec. Secondly, as the fulfillment of director Jean Gascon's desire to create an original and authentic "French-Canadian" work. And lastly, it analyzes the play's contribution to musical theatre.