Documents found
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1422.More information
The greater part of this issue brings together a collection of sixty two texts, most of them unpublished, presented and annotated by Véronique Robert.
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1423.More information
Keywords: Allemagne, antisémitisme, histoire des idées, musique et idéologie, Richard Wagner, anti-Semitism, Germany, history of ideas, music and ideology, Richard Wagner
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1424.More information
The author, a long-time collaborator of Fausto Romitelli as musical director of the Ictus Ensemble, gathers his memories to paint a picture of an eccentric and uneasy artist who struggled against his era and was eager to derail it. The use of rock music in Romitelli's works is seen as the intrusion of a “foreign agent,” deeply distorting the acoustic landscape. The sonic landscape, which his generation decried, is hence inclined to subversion: glimmering imagery undermines solidity, radiant metamorphosis gives way to freefall. The production of the two recordings, dedicated by Ictus to Romitelli, is minutely detailed, marking the transgressive, jarring moment when contemporary music entered the “post-Sgt.-Pepper” era under the twin standards of Romitellian unnaturalism and electric guitar as a bridge to electronic music.
Keywords: chute, déchet, mixage, rock, Fausto Romitelli, spectralisme, freefall, waste, mashup, rock, Fausto Romitelli, spectralism
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1425.More information
AbstractPractices of borrowing, transforming, adapting, remixing, quoting, imitating, etc. are very common in popular music. Without trying to treat these practices in an exhaustive manner, this article approaches them from the angle of transphonography. Derived from the literary model of transtextuality developed by Gérard Genette (1982), the concept of transphonography enables these practices to be organised in in six broad categories which describe types of relations which can obtain between musical recordings: archiphonography (genre relationships), hyperphonography (relationships of transformation), interphonography (relations of coexistence), polyphonography (compilations of phonograms), paraphonography (functions of mediation) and metaphonography (critical relationship). This way of analyzing the phenomenon should allow, among other things, to better grasp the aesthetic and expressive potential of these various characteristic practices in this genre.
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1426.More information
Because of the partial role of academic training in the management of the uncertainty associated with the profession of performer, the analysis of the professional integration of musicians is most complex. This research is intended to understand how the transition is made between the academic training and the professional market, especially among brass musicians. Thus, this study is based on a fieldwork conducted with the Montreal's Ensemble Magnitude6, a brass quintet with drums consisting of students being professionalized and of established professionals. This article has three parts: the first one gives an individual portrayal of the five respondents, intended to bring out the common and distinct features from their profile. The second part consists of an analysis of the professionalization strategies used by Magnitude6's musicians, based on the concept of uncertainty's management. The final part will review the role of academic training in these professionalization strategies.
Keywords: formation académique, incertitude, insertion professionnelle, musiciens jouant d'un cuivre, stratégies de professionnalisation, academic training, brass musicians, professional integration, professionalization strategies, uncertainty
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1427.More information
How does an artist come to have music produced by John Zorn on the Tzadik label? How do the various stages of production and realization of these albums unfold? Through their own experience, how do these artists interpret the label's slogan, “What you hear on Tzadik is the artist's vision undiluted”? To answer these questions, we interviewed seven French musicians who have released albums on Tzadik: Jacques Coursil, Maxime Delporte (Stabat Akish), David Konopnicki (AutorYno), Pierre-Yves Macé, Guillaume Perret (Electric Epic), Frédéric Petitprez (Artichaut Orkestra), and Yves Weyh (Zakarya).
Keywords: Tzadik, production artistique, Radical Jewish Culture, disque, Tzadik, artistic production, Radical Jewish Culture, disc
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1428.More information
The potential of the arts to improve the quality of life of individuals engaging in it is well documented. However, when it comes to research documenting the effectiveness of such activities with individuals with intellectual disability (ID), there is a paucity of research. The following study aimed to detail the benefits of engaging in performance art activities such as music, dance and theater for adults with ID. Interviews were conducted with various actors, including adults with ID. Results showed that participation in performance art activities had a positive impact on physical, cognitive, emotional, and spiritual dimensions for adults with ID. These activities supported the development of their self-esteem and increased their sense of belongingness to the group. The findings of this study clearly indicate that using performance art mediums can improve engagement and participation in a long-term project specifically adapted to the participant's capacities.
Keywords: Déficience intellectuelle, art, musique, danse, théâtre, retombées, Intellectual Disability, Art, Music, Dance, Theater, Outcomes
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1430.More information
This paper takes root in literature's lagging behind other art forms, as deplored by Kenneth Goldsmith, in contemporary history. The application of the term stochastic, issued from mathematics, associated with probabilities and combinatorics, allows us to reflect on the devices implemented by some authors to display the possibilities trapped in language. These applications, more or less rigorous, of a mathematical device led to thinking out creative and liberating writing practices. Culminating in the writing of a machine itself steered by algorithms, they open up the possibility of a stochastic lyricism which, by breaking off the functions of language, allows for its contemplation, beyond any actualization. These are all lyrical devices giving back to poetry its capacity to break free from the devices that constrain us.