Documents found
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1511.More information
Working from Normand Chaurette's Stabat Mater II, this article attempts to demonstrate the mechanisms of the self-devouring text through the "body-text" folded in upon itself, an infinite phenomenological fold animated by certain musical rhythms. In Chaurette's work, mise en abyme, multiple repetition and generic and discursive hybridization obscure yet at the same time orient meaning. The voices of Stabat Mater are dispossessed, ever slipping towards an "infratext" that remains inaccessible, always just beyond reach, enfolded within the depths they make apparent. Drawing upon certain concepts within phenomenology and Peircian semiotics, as well as Derridian and Deleuzian criticism, this article attempts to sketch out a critical portrait of musical movement at work in Chaurette's play, movements that are outside of figuration and that refuse logocentric truth. This allows room for the intangible, this potential permitting the "body-text" to fold in upon itself in a posture of infinite self-devoration.
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1512.More information
Composer and multi-instrumentalist Frédéric Lebrasseur is one of the most original and popular musicians on the Quebec scene. An improviser, noise artist, and multidisciplinary artist, he has actively collaborated with the worlds of theatre, dance, and circus since 1991. In 2013, he co-founded the company Machine de Cirque alongside five circus artists. The composition work typically takes place on stage, during creative sessions with the circus artists. Although the constraints related to the public health situation have compromised this practice, the preparation and creation of new shows has not been interrupted. Has this crisis made it possible to develop new approaches in the composition processes for the circus? Frédéric Lebrasseur's account, combined with those of other members of the company, is accompanied by various additional documents (excerpts of shows, recordings, working documents, scores).
Keywords: Machine de Cirque, Frédéric Lebrasseur, musique de cirque, processus de création, cinéma, Machine de Cirque, Frédéric Lebrasseur, circus music, creation process, cinema
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