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251.More information
Its complex narrative framework and array of characters made it a challenge to adapt the novel Manuscrit trouvé à Saragosse. The paper outline how the musical setting allows for the identification of each character according to cultural and social references. Characters are divided into groups and exemplified by some twenty or so excerpts from the opera. A few specific situations also provide referential musical styles.
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252.More information
AbstractThis presentation of the articles contained in the issue explores three meanings of the expression “Stockhausen in Quebec”: Stockhausen's various visits to Quebec, the influence of his work on Quebec musicians, and Quebec composers who studied with Stockhausen. This introduction is supplemented by a detailed chronology (prepared by Réjean Beaucage) of Stockhausen's visits to Quebec.
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257.More information
In her regular and wide-ranging critical column on Montreal's musical season of 1993-1994, the author points out what she deems to be last season's important elements.
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260.More information
Alexis Nouss sheds some light on his adaptation for the opera of the novelManuscrit trouvé à Saragosse by Polishwriter Jean Potocki.