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691.More information
AbstractAny survey of the work done on narrativity in music as well as in other non-literary forms of expression will show that the narratological study of recorded songs has been widely neglected. In an attempt to partially fill that gap, I propose an analysis of “Stan”, by US rapper Eminem, which reveals the song's narrative functioning. By focussing on both performative and technological aspects of the song, I will try to account for the richness of the recording's phonographic discourse, taking into consideration, among other things, temporal and spatial relationships, as well as vocal modes of enunciation.
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