Documents found

  1. 961.

    Article published in Canadian University Music Review (scholarly, collection Érudit)

    Issue 14, 1994

    Digital publication year: 2013

  2. 962.

    Article published in Canadian University Music Review (scholarly, collection Érudit)

    Issue 5, 1984

    Digital publication year: 2013

  3. 963.

    Michaud, Hélène

    Le patrimoine en musique

    Article published in Continuité (cultural, collection Érudit)

    Issue 91, 2001-2002

    Digital publication year: 2010

  4. 964.

    Article published in Les Cahiers de la Société québécoise de recherche en musique (scholarly, collection Érudit)

    Volume 10, Issue 2, 2009

    Digital publication year: 2018

    More information

    In the wave of recent thinking about the concrete relationship between law and improvised music, the question of different representations of one or the other, and the way one relates to the other within a time frame and a place dependent on the parameters of research and public performance, is of primary interest. Confronting the two disciplines in such circumstances generates intellectual tension and allows us to observe that temporality, in improvisation, is highly speculative.

  5. 965.

    Galaise, Sophie

    Note éditoriale

    Other published in Circuit (scholarly, collection Érudit)

    Volume 10, Issue 1, 1999

    Digital publication year: 2002

  6. 966.

    Article published in Cap-aux-Diamants (cultural, collection Érudit)

    Issue 127, 2016

    Digital publication year: 2016

  7. 967.

    Article published in Ciné-Bulles (cultural, collection Érudit)

    Volume 13, Issue 2, 1994

    Digital publication year: 2010

  8. 968.

    Charles, Daniel

    Le complexe de Clovis

    Article published in ETC (cultural, collection Érudit)

    Issue 7, 1989

    Digital publication year: 2010

  9. 969.

    Article published in Jeu (cultural, collection Érudit)

    Issue 184, 2022

    Digital publication year: 2022

  10. 970.

    Note published in Revue musicale OICRM (scholarly, collection Érudit)

    Volume 2, Issue 2, 2015

    Digital publication year: 2019

    More information

    In 1995, David J. Elliott publishes Music Matters. A New Philosophy of Music Education, based on the praxial philosophy. This essay outlines a brief history of the praxial philosophy in order to better understand Elliott's motivation to develop this new philosophy of music education. The various foundations and the guidelines of the praxial philosophy are presented, particularly those that concern the elaboration of a music curriculum and the praxial philosophy's pros and cons are discussed. Finally, the essential foundations of the QEP are described in relation with Elliott's praxial philosophy.

    Keywords: éducation musicale, musique, philosophie, praxialisme, programme de formation, curriculum, music, music education, philosophy, praxialism