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161.More information
This paper focuses on the transposition from English into Maltese of the various proper names encountered in Frank McCourt's memoir Angela's Ashes (Chapter 1). To achieve this aim, an extended practical translation exercise by the author himself is used. Eight different categories of proper names were identified in the source-text ranging from common people names to nicknames, titles and forms of address. Four different categories of cross-cultural transposition of proper names were considered, although only two were actually used. Various translation strategies were adopted ranging from non-translation to modification, depending on whether the particular proper name has a ‘conventional' meaning or a culturally ‘loaded' meaning. Although cultural losses were unavoidable, cultural gains were also experienced. Wherever possible, the original proper names were preserved to avoid any change in meaning and interference in their functionality as cultural markers. Moreover, a semantic creative translation was preferred, especially with proper names that were culturally and semantically loaded to reduce the amount of processing effort required by the target-reader and to minimize the cultural losses of relevant contextual and cultural implications in the target-text.
Keywords: stratégies de transposition, noms propres, pertes culturelles, gains culturels, traduction littéraire, transposition strategies, proper names, cultural losses, cultural gains, literary translation, estrategias de transposición, nombres propios, pérdidas culturales, ganancias culturales, traducción literaria
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164.More information
This essay comments on Benedetto Croce's review of Der Krieg und die geistigen Entscheidungen. After illustrating Croce and Simmel's opposing philosophical visions of the Great War, light will be thrown on the reviewer's manipulative choices made to crush his colleague's intellectual stature and writings. Croce's was a prejudiced attitude that ignored the deeply felt evolution of Simmel's thought in the course of the conflict: from his enthusiastic support of the national war effort, manifested in 1914, to the subsequent anguished and critical eye when he perceived that Europe had set out on the road to civil and cultural suicide.