Documents found
-
1661.More information
In this essay, the authors give voice to their process of adapting the French translation of Halfbreed by the nationally and internationally respected Métis author, storytelling, activist and Elder, Maria Campbell, for the audio book published by Prise de parole. With respect to the publisher's mandate of increasing the accessibility of French literature across Canada, a local team was assembled by Maria. We, the authors of this essay, were part of the team as creative director and narrator. Our process centered on ethics of storytelling, relational care, oralité, originality and local and cultural context. We demonstrate these considerations as our responsibility to Maria, the author of her story, the readers, and to our respective connections, experience and knowledge of place.
-
1662.More information
In July 1940, the British Surrealist artists Dr Grace W. Pailthorpe (also a prominent psychiatrist) and Reuben Mednikoff set sail for the United States. After a two-year stay in New York City and Berkeley in California, they moved in July 1942 to British Colombia, Canada, where Dr Pailthorpe accepted a position at the Provincial Mental Institute of Essondale. Later in Vancouver, she founded the Association for the Scientific Treatment of Delinquency and was invited with her husband by the Vancouver Art Gallery to exhibit their paintings and give a conference on Surrealism. This series of events made British Colombia the launching pad for Surrealism in Western Canada with one Surrealist exhibition and three conferences on Surrealism. One of these talks was even broadcast by the Canadian Broadcasting Corporation during the radio show Mirror for Women. Vancouver warmly welcomed Breton's movement in contrast to Toronto, which held a Surrealist exhibition at the 1938 Central National Exhibition. The reasons for Vancouver's openness are twofold: most importantly, Pailthorpe's association with science lent credibility; and Vancouver at the time was open to new ideas. This article focuses on the Canadian sojourn of these two important artists in the context of Canada's adoption of Surrealist ideas (Automatism being the most important) and the publication of the CBC transcripts of Dr Pailthorpe's seminar.
-
1663.More information
In this paper, we will start by presenting, in schematic form, the principal theses discussed in Michel Foucault's book. Then, we will devote the second part to a deeper understanding of the principal parts of the argumentation he develops and we will see how some of the themes he develops are of a more immediate interest to the criminologist, either because they converge with research in criminology or because they constitute a critique of it. Then, we will raise certain points that concern the method used by Foucault. This part of our argument will be more critical. Finally, we will conclude with a recall of Foucault's conclusions on the birth of criminology. We will then attempt to shed light on what criminological studies should retain of Michel Foucault's book, furthermore about what he has taught us, from a documentary point of view, of the birth of the prison.
Keywords: Michel Foucault, prison, système carcéral, pénalité, panoptisme, hard datas, soft datas, Michel Foucault, prison system, sentencing, panopticism, hard data, soft data, Michel Foucault, prisión, sistema penitenciario, penalidad, panoptismo, hard datas, soft datas
-
1664.More information
In this article, the authors are based on the main publications, in French and English, of (cyber)violence against women, referenced between January 2000 and April 2020 on digital indexing platforms in the social sciences. They aim to show the characteristics of cyberviolence against women, the digital channels that are most used by attackers, the way in which digital technologies perpetuate relations of domination between the sexes and the initiatives deployed on social media to denounce, support and support women victims of violence.
Keywords: agentivité, rapport sociaux de sexes, réseaux sociaux, violence structurelle, violence envers les femmes, agencia, relaciones de género, redes sociales, violencia estructural, violencias contra las mujeres
-
1665.More information
This article explores the tendency to utopian impulse in Léonora Miano's recent novels. Reading the two volumes of Crépuscule du tourment (2016-2017), La Saison de l'ombre (2013) and Rouge Impératrice (2019), the article shows that in each case fictional constructions which can be seen as heterotopias (Foucault) complicate social representations in the novels. Although masculine and feminine are two separate principles in Miano's thought, this complexity opens possibilities for some gender fluidity.
Keywords: Léonora Miano, Léonora Miano, utopie, utopia, hétérotopie, gender studies, masculine, études de genre, féminine, masculin, heterotopia, féminin
-
1666.More information
Keywords: Eberhardt, Isabelle, Algérie, Écrivains voyageurs, Transfuge, Filiation féminine, Lotman, Youri, Jullien, François, Sebbar, Leila, Mokeddem, Malika
-
1667.More information
The first edition of the Histoire comique de Francion by Charles Sorel (1623) contains numerous references to the eating and drinking. My study examines narrative sequences focused on a fluctuation between deprivation and abundance, frustration and jouissance. In addition to the domain of food, I consider allusions to sexuality and knowledge, insofar as they share the same narrative paradigm, and shed light on each other. This analysis also shows how Sorel relates ambivalent references to food to some of his moral claims, expressed through subversive uses of the tradition of comic fiction. The four books added for the 1626 and 1633 editions of Francion can be perceived as a wavering attempt to displace Bacchus, who presides over the protagonist’s birth and is emblematic of the various immoderations in the first edition.
Keywords: Eating and drinking, Deprivation, Abundance, Temperance, Drunkenness, Carnivalesque, XVIIth century, Charles Sorel, Manger et boire, Privation, Abondance, Tempérance, Ivresse, Carnavalesque, XVIIe siècle, Francion, Francion, Charles Sorel
-
-
1669.More information
In sixteenth-century France, the triumphal entry was closely tied to the notion of collective memory. This article defines the concept of collective memory as it is articulated in sixteenth-century texts, retraces the history of the relationship between this notion and the triumphal entry, and, in analyzing several texts tied to entry ceremonies, explores how such texts address triumphal entries’ role in the production of collective memory—as opposed to its preservation, which is the typical focus in discussions of the relationship between collective memory and historiographical or poetic works during this period.
-