Documents found

  1. 41.

    Roy, Charles-Stéphane

    Eastern Promises

    Article published in Séquences (cultural, collection Érudit)

    Issue 251, 2007

    Digital publication year: 2010

  2. 42.

    Houdassine, Ismaël

    Belle toujours

    Article published in Séquences (cultural, collection Érudit)

    Issue 250, 2007

    Digital publication year: 2010

  3. 43.

    Mandolini, Carlo

    Chaos

    Article published in Séquences (cultural, collection Érudit)

    Issue 221, 2002

    Digital publication year: 2010

  4. 44.

    Schlager, Catherine

    To Rome with Love

    Article published in Séquences (cultural, collection Érudit)

    Issue 280, 2012

    Digital publication year: 2012

  5. 45.

    Demers, Julie

    Women Without Men

    Article published in Séquences (cultural, collection Érudit)

    Issue 268, 2010

    Digital publication year: 2011

  6. 46.

    Jardon-Gomez, François

    De l'autre côté du miroir

    Article published in 24 images (cultural, collection Érudit)

    Issue 181, 2017

    Digital publication year: 2017

  7. 47.

    Review published in Service social (scholarly, collection Érudit)

    Volume 36, Issue 2-3, 1987

    Digital publication year: 2005

  8. 48.

    Article published in Jeu (cultural, collection Érudit)

    Issue 98, 2001

    Digital publication year: 2010

  9. 49.

    Article published in Études françaises (scholarly, collection Érudit)

    Volume 49, Issue 3, 2013

    Digital publication year: 2014

    More information

    During the Franco-Prussian War of 1870, certain physiological theories were used for political and ideological purpose, notably to define the enemy. But numerous counter-arguments persisted up to the First World War, vigorously challenging the dubious scientific statements that referenced an historical imaginary and rhetoric which essentially glorified war. We here propose that in the short stories Boule de Suif and Saint-Antoine, Maupassant discloses the perverse use of these discourses. Indeed, the author demonstrates, often with irony, that the social imaginary is mostly founded not on objective and empirical reason, but rather on the subjective persuasion of a moral and anthropological distinction amongst individuals which is established through anxiety, fear and the resolve of power by one being over another. In these works, the “mise en ennemi”, depends, beyond historical fact, on an embedding of natural (biological and physiological) and cultural (moral and customary) evidences that thus define the enemy as “l'Autre à tuer”. The irony is concealed within the use that Maupassant makes of the anthropological model. In enacting hybrid identities that contain the qualities and defects of both the dominant and the dominated, the author departs from the ethnic rationalization of an exclusively French or German experience and transcends the notion of nationality to instead address human nature as a whole and mankind's innate propensity to barbarity.