Romanticism and Victorianism on the Net

Numéro 62, October 2012

Sommaire (23 articles)


  1. Melodrama and the Penitent Woman Tableau in Victorian Culture: From Tennyson to Conrad
  2. Coleridge’s Late Confessions: Personification, Convention, and Free Agency
  3. Avatars in Edinburgh: The Private Memoirs and Confessions of a Justified Sinner and the Second Life of Hogg’s Ettrick Shepherd
  4. “An infusion of the modern spirit into the ancient form”: Textual Objects and Historical Consciousness in George Eliot’s Romola
  5. A Portrait of the Monster as Criminal, or the Criminal as Outcast: Opposing Aetiologies of Crime in Mary Shelley’s Frankenstein
  6. “Ode on a Grecian Urn” and Browning’s “A Toccata of Galuppi’s”
  7. Prophet of the Electric Age: Cultural Performativity as Nonviolent Revolution in the Lifework of Percy Bysshe Shelley
  8. Public Intimacies: Frances Burney’s and Jane Cave Winscom’s Accounts of Illness
  9. Female Independence in Mary Robinson’s The Natural Daughter
  10. Violence and Absence
  11. Domesticating the Child: Maternal Responses to Hereditary Discourse in The Tenant of Wildfell Hall


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