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Études/Inuit/Studies

Volume 28, numéro 1, 2004, p. 57-67

Art et représentation / Art and representation

Direction : Murielle Nagy (directeur)

Rédaction : Murielle Nagy (rédacteur en chef)

Éditeur : Association Inuksiutiit Katimajiit Inc.

ISSN : 0701-1008 (imprimé)  1708-5268 (numérique)

DOI : 10.7202/012639ar

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Article

Weaving culture: The many dimensions of the Yup’ik Eskimo mingqaaq

Molly Lee

University of Alaska Museum,

P.O. Box 756960,

907 Yukon Dr.,

Fairbanks,

AK 99775-6960, USA.

ffmcl@uaf.edu

 

References

 

EDELMAN, Murray, 1995 From Art to Politics, Chicago, University of Chicago Press.

 

EVANS, Ron, 1985 Yukon-Kuskokwim Region Arts and Crafts Opportunities Study, Anchorage, Calista Professional Services.

 

FIENUP-RIORDAN, Ann, in press Tupigat (Woven Things): Yup’ik Grass Clothing, Past and Present, in J.C.H. King and Robert Storrie (eds), Arctic Clothing, London, British Museum Press.

 

Frazer, Nancy, 1989 Unruly Practices: Power, Discourse and Gender in Contemporary Social Theory, Minneapolis, University of Minnesota Press.

 

GELL, Alfred, 1998 Art and Agency: an Anthropological Theory, Oxford, Clarendon Press.

 

GRINNELL, May, 1901 Beauty in Basketry, The State, 7(5): 134-137.

 

HENSEL, Chase, 1996 Telling Our Selves: Ethnicity and Discourse in Southwestern Alaska, New York, Oxford University Press.

 

HENSEL, Chase, 2002 Yup’ik Identity and Subsistence Discourse: Social Resources in Interaction, Études/Inuit/Studies, 25(1-2): 229-247.

 

HERZOG, Melanie, 1996 Aesthetics and Meanings: The Arts and Crafts Movement and the Revival of American Indian Basketry, in B.R. Denker (ed.), The Substance of Style: New Perspectives on the Arts and Crafts Movement, Winterthur, Winterthur Museum: 69-92.

 

LEE, Molly, 1991 Appropriating the Primitive: Turn-of-the-Century Collections and Display of Native Alaskan Art, Arctic Anthropology , 28(1): 6-15.

 

LEE, Molly, 1995 Siberian Sources of Alaskan Eskimo Coiled Basketry: Types and Prototype, American Indian Art, 20(4): 56-69.

 

LEE, Molly, 1998 Tourists and Taste Cultures: Collecting Native Art in Alaska at the Turn of the Twentieth Century, in R.B. Phillips and C.B. Steiner (eds),Unpacking Culture: Art and Commodity in Colonial and Post Colonial Worlds, Berkeley, University of California Press: 481-508.

 

LEE, Molly, 2003 The Cooler Ring: Urban Alaska Native Women and the Subsistence Debate, Arctic Anthropology, 39(1-2): 3-9.

 

NELSON, Edward W., 1899 The Eskimo about Bering Strait, 18th Annual Report of the Bureau of American Ethnology for the Years 1896-1897: 3-518.

 

RAY, Dorothy Jean, 1970 Native Arts and Artifacts as Reflected in Alaska Exploration before 1867, in A. Shalkop (ed.), Exploration in Alaska: Captain Cook Commemorative Lectures, Anchorage, Cook Inlet Historical Society: 159-174.

 

Schoechert, J. H., 1906 Report of the Mission at Quinhagak, Alaska, from January to December, 1905, Proceedings of the Society of the United Bretheren for Propagating the Gospel among the Heathen, Bethlehem, PA, Society for Propagating the Gospel among the Heathen.

 

Schoechert, J. H., 1909 Report of the Mission at Quinhagak, Alaska, from January to December, 1908, Proceedings of the Society of the United Bretheren for Propagating the Gospel among the Heathen, Bethlehem, PA, Society for Propagating the Gospel among the Heathen.

 

THOMAS, Nicholas, 1991 Entangled Objects: Exchange, Material Culture, and Colonialism in the Pacific, Cambridge, Harvard University Press.

 

TILLEY, Christopher, 1999 Metaphor and Material Culture, Oxford, Blackwell.

Auteur : Molly Lee
Titre : Weaving culture: The many dimensions of the Yup’ik Eskimo mingqaaq
Revue : Études/Inuit/Studies, Volume 28, numéro 1, 2004, p. 57-67
URI : http://id.erudit.org/iderudit/012639ar
DOI : 10.7202/012639ar

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