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| | | Nicolas Darbon Tom Johnson : le simple du village : minimalisme et déterminisme en musique [PDF 154 ko] [Résumé] |
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| | | Pierre Albert Castanet Pour une histoire sociale de la musique de George Crumb dans les années 1970 [PDF 185 ko] [Résumé] |
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| | | Danick Trottier Music, History, Autonomy, and Presentness: When Composers and Philosophers Cross
Swords
Martin Kaltenecker and François Nicolas, eds. 2006.
Penser l’oeuvre musicale au XXe siècle: avec, sans ou contre
l’histoire? Paris: Centre de documentation de la musique contemporaine. 134 pp.
ISBN: 2-9516440-9-4 (paper) [PDF 185 ko] [Notice] |
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| | Notes from the Discipline |
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| | | Don McLean et Dean Jobin-Bevans Survey of University-Based Music Programs in Canada [PDF 265 ko] [Résumé] |
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| | | William Renwick The Gregorian Institute of Canada: Traditions in Western Plainchant [PDF 96 ko] [Notice] |
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| | Book Reviews / Recensions |
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| | | Éric Champagne
Hervé Lacombe. 2007. Géographie de l’opéra au
XXe siècle. Paris : Fayard. 318 p. ISBN
978–2-213–62749–6 (couverture souple) [PDF 124 ko] [Notice] |
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| | | Martine Rhéaume
Eric Salzman et Thomas Desi. 2008. The New Music
Theater; Seeing the Voice, Hearing the Body. New York : Oxford University Press.
viii, 408 p. ISBN 978-0-19-509936-2 (couverture rigide) [PDF 137 ko] [Notice] |
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| | | Damien Ehrhardt
Nicolas Dufetel et Malou Haine, éd. 2007. Liszt : un
saltimbanque en province. Lyon : Symétrie, xii, 424 p. ISBN 978-2-914373-27-2
(couverture rigide) [PDF 117 ko] [Notice] |
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| | | Yves Balmer
Laurent Feneyrou, Giordano Ferrari et Geneviève Mathon, éd. 2007. À Bruno Maderna, volume 1. Paris : Basalte. 558 p.
ISBN 978-2-9526717-1-2 (couverture souple) [PDF 128 ko] [Notice] |
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| | | Marcia Ostashewski
Anna Hoefnagels and Gordon E. Smith, eds. 2007. Folk
Music, Traditional Music, Ethnomusicology: Canadian Perspectives, Past and
Present. Newcastle, UK: Cambridge Scholars Publishing. 274 pp. (b/w photos, model
diagrams). ISBN 978-1-84718-366-8 [PDF 87 ko] [Notice] |
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| | | Barbara Swanson
Hyun-Ah Kim. 2008. Humanism and the Reform of Sacred
Music in Early Modern England: John Merbecke the Orator and The Booke of Common Praier Noted
(1550). Aldershot: Ashgate. xviii + 239 pp. ISBN 978-0-7546-6268-6
(hardcover) [PDF 108 ko] [Notice] |
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| | | Olivia Carter Mather
Lloyd Whitesell. 2008. The Music of Joni Mitchell.
New York: Oxford University Press. 276 pp. ISBN 978-0-10-530799-3 [PDF 94 ko] [Notice] |
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