Érudit - Promouvoir et diffuser la recherche
FrançaisEnglishEspañol
 

Recherche détaillée

.

Année Volume Numéro Page 
>

Romanticism and Victorianism on the Net

Numéro 47, août 2007

From RoN to RaVoN (Romanticism and Victorianism on the Net)

Sous la direction de Jerome McGann

Direction : Michael Eberle-Sinatra (founding editor [romantic]) et Dino Franco Felluga (editor [victorian])

Éditeur : Université de Montréal

ISSN : 1916-1441 (numérique)

DOI : 10.7202/016699ar

ravon
< PrécédentSuivant >
Article

Iconic Destiny and “The Lady of Shalott”: Living in a World of Images

William R. McKelvy

Washington University in Saint Louis

 

Works Cited

 

Alexander, Lynn Mae. Women, Work, and Representation: Needlewomen in Victorian Art and Literature. Athens: Ohio UP, 2003.

 

Anderson, Patricia. The Printed Image and the Transformation of Popular Culture, 1790-1860. Oxford: Clarendon, 1994.

 

Armstrong, Isobel. “Technology and Text: Glass Consciousness and Nineteenth-Century Culture.” Culture, Landscape, and the Environment. Eds. Kate Flint and Howard Morphy. Oxford: Oxford UP, 2000. 149-175.

 

Armstrong, Isobel. "Tennyson's ‘The Lady of Shalott.’” The Sun is God’: Painting, Literature, and Mythology in the Nineteenth Century. Ed. J. B. Bullen. Oxford: Clarendon P, 1989. 49-107.

 

Armstrong, Isobel. Victorian Poetry: Poetry, Poetics and Politics. London: Routledge, 1993. DOI:10.4324/9780203193280

 

“Art of Paper-Making,” Chambers’s Edinburgh Journal, no. 171, 9 May, 1835: 119-20.

 

Auerbach, Nina. Woman and the Demon: The Life of a Victorian Myth. Cambridge, Mass.: Harvard UP, 1982.

 

Babbage, Charles. On the Economy of Machinery and Manufactures. 4th ed. London: C. Knight, 1835.

 

Bagehot, Walter. “Wordsworth, Tennyson, and Browning; or, Pure, Ornate, and Grotesque Art in English Poetry.” 1864. The Collected Works of Walter Bagehot. Ed. Norman St John-Stevas. 15 vols. Cambridge, MA: Harvard UP, 1965-86. 2.321-66.

 

Bailin, Miriam. “Seeing Is Believing in ‘Enoch Arden.”’ Victorian Literature and the Victorian Visual Imagination. Eds. Carol T. Christ and John O. Jordan. Berkeley: U of California P, 1995. 313-26.

 

Bizup, Joseph. Manufacturing Culture: Vindications of Early Victorian Industry. Charlottesville: U of Virginia P, 2003.

 

Bronkhurst, Judith. William Holman Hunt: a catalogue raisonné. 2 vols. New Haven, Conn.: Yale UP, 2006.

 

Carlyle, Thomas. “Signs of the Time.” 1829. Selected Writings. Ed. Alan Shelston. London: Penguin, 1986. 61-85.

 

Christ, Carol T. and John O. Jordan. “Introduction.” Victorian Literature and the Victorian Visual Imagination. Berkeley: U of California P, 1995. xix-xxix.

 

Crary, Jonathan. Techniques of the Observer: On Vision and Modernity in the Nineteenth Century. Cambridge, Mass.: MIT P, 1990.

 

Curtis, Gerard. Visual Words: Art and the Material Book in Victorian England. Aldershot, Hants: Ashgate, 2002.

 

Du Maurier, George. “The Legend of Camelot.” Punch (1866: 3 March 94; 10 March 97; 17 March 109; 24 March 128; 31 March 131).

 

Flint, Kate. The Victorians and the Visual Imagination. Cambridge: Cambridge UP, 2000.

 

Fox, Celina. Graphic Journalism in England during the 1830s and 1840s. New York: Garland, 1988.

 

[Gore, Catherine.] “The New Art of Printing.” Blackwood’s Edinburgh Magazine 55 (Jan. 1844): 45-9.

 

Gribble, Jennifer. The Lady of Shalott in the Victorian Novel. London: Macmillan, 1983.

 

Hagen, June Steffensen. Tennyson and His Publishers. University Park: Pennsylvania State UP, 1979.

 

Hallam, Arthur. “On Some of the Characteristics of Modern Poetry, and on the Lyrical Poems of Alfred Tennyson.” 1831. The Writings of Arthur Hallam. Ed. T. H. Vail Motter. New York: MLA, 1943. 182-98.

 

Hansard, T. C. “Printing Machines.” Typographia: An Historical Sketch of the Origin and Progress of the Art of Printing. London: Baldwin, Cradock, and Joy, 1825. 689-714.

 

Harris, Beth, ed. Famine and Fashion: Needlewomen in the Nineteenth Century. Burlington, Vt.: Ashgate, 2005.

 

Hunt, William Holman. Pre-Raphaelitism and the Pre-Raphaelite Brotherhood. 2 vols. New York & London: Macmillan, 1905-06.

 

Joseph, Gerhard. Tennyson and the Text: The Weaver's Shuttle. Cambridge: Cambridge UP, 1992.

 

King, Andrew and John Plunkett. Victorian Print Media: A Reader. Oxford: Oxford UP, 2005.

 

Knight, Charles. “Commercial History of a Penny Magazine.” The Penny Magazine nos. 96, 101, 107, 112 (Sept.-Dec. 1833): 377-84, 417-24, 465-72, 505-11.

 

Ladies of Shalott: A Victorian Masterpiece and Its Contexts. Providence, RI: Brown U Department of Art, 1985.

 

Layard, George. Tennyson and His Pre-Raphaelite Illustrators. 1894. Folcroft, Pa.: Folcroft P, 1969.

 

Marsh, Jan. “‘Hoping You Will Not Think Me Too Fastidious’: Pre-Raphaelite Artists and the Moxon Tennyson.” The Journal of Pre-Raphaelite Studies 2.1 (Spring 1989): 11-17.

 

Marsh, Jan. Pre-Raphaelite Women: Images of Femininity. New York: Harmony Books, 1987.

 

Marsh, Joss. “Spectacle.” A Companion to Victorian Literature and Culture. Ed. Herbert F. Tucker. Malden, Mass.: Blackwell, 1999. 276-88.

 

McGann, Jerome. “Rethinking Romanticism.” ELH 59.3 (1992): 735-54. DOI:10.2307/2873450

 

Meisel, Martin. “‘Half Sick of Shadows’: The Aesthetic Dialogue in Pre-Raphaelite Painting.” Nature and the Victorian Imagination. Eds. U. C. Knoepflmacher and G. B. Tennyson. Berkeley: U of California P, 1977. 309-40.

 

Meisel, Martin. Realizations: Narrative, Pictorial, and Theatrical Arts in Nineteenth-Century England. Princeton: Princeton UP, 1983.

 

Millgate, Jane. Scott's Last Edition: A Study in Publishing History. Edinburgh: Edinburgh UP, 1987.

 

Pearce, Lynne. Woman/Image/Text: Readings in Pre-Raphaelite Art and Literature. Toronto: U of Toronto P, 1991.

 

Peters Corbett, David. The World in Paint: Modern Art and Visuality in England, 1848-1914. University Park, Pa.: Pennsylvania State UP, 2004.

 

Prettejohn, Elizabeth. The Art of the Pre-Raphaelites. Princeton, NJ: Princeton UP, 2000.

 

Psomiades, Kathy Alexis. Beauty's Body: Femininity and Representation in British Aestheticism. Stanford, Calif.: Stanford UP, 1997.

 

Psomiades, Kathy Alexis. “‘The Lady of Shalott’ and the Critical Fortunes of Victorian Poetry.” Cambridge Companion to Victorian Poetry. Ed. Joseph Bristow. Cambridge: Cambridge UP, 2000. 25-45.

 

Ricks, Christopher. Tennyson. 2nd ed. Berkeley: U of California P, 1989.

 

Scarry, Elaine. On Beauty and Being Just. Princeton, N.J.: Princeton UP, 1999.

 

Scott, Walter. The Fortunes of Nigel. Ed. Frank Jordan. Edinburgh: Edinburgh UP, 2004.

 

Scott, Walter. Tales of the Crusaders. Philadelphia: Porter and Coates, 1869.

 

Shannon, Edgar F. “Tennyson and the Reviewers 1830-1842.” PMLA 58.1 (1943): 181-94. DOI:10.2307/459040

 

Shannon, Edgar F. “Poetry as Vision: Sight and Insight in ‘The Lady of Shalott.’” Victorian Poetry 19 (1981): 207-23.

 

Sinfield, Alan. Alfred Tennyson. Oxford: Basil Blackwell, 1986.

 

Stein, Richard L. “The Pre-Raphaelite Tennyson.” Victorian Studies 24.3 (1981 Spring): 279-30.

 

Tenniel, John. “The Haunted Lady, or ‘The Ghost’ in the Looking-Glass.” Punch 4 (July 1863): 5.

 

Tennyson, Alfred. The Poems of Tennyson. Ed. Christopher Ricks. 3 vols. Berkeley: U of California P, 1987.

 

Trippi, Peter. J.W. Waterhouse. London/New York: Phaidon P, 2002.

 

Tucker, Herbert F. Tennyson and the Doom of Romanticism. Cambridge, Mass.: Harvard UP, 1988.

 

Wagstaff, Samuel. “Some Notes on Holman Hunt and ‘The Lady of Shalott.’” Wadsworth Atheneum Bulletin (Summer 1962): 1-21.

Auteur : William R. McKelvy
Titre : Iconic Destiny and “The Lady of Shalott”: Living in a World of Images
Revue : Romanticism and Victorianism on the Net, Numéro 47, août 2007
URI : http://id.erudit.org/iderudit/016699ar
DOI : 10.7202/016699ar

Copyright © Michael Eberle-Sinatra 1996-2007 — All rights reserved

À propos d'Érudit | Abonnements | RSS | Conditions d’utilisation | Pour nous joindre | Aide

Consortium Érudit ©  2013