Abstracts
Abstract
This article aims to summarize a grounded theory inquiry to examine renewed interests in craft practices. Through remote interviews with female participants in their early twenties, and several rounds of data coding three emergent themes were identified: moving beyond traditional learning trajectories, art as function, and implications for sustainability. Investigating what motivates these women to engage creatively, and how they gained knowledge about their chosen mode of creative production, this inquiry reveals the self-directed nature of craft learning. Self-directed learning (SDL) is becoming more prevalent due to the increasing availability of resources and is therefore recognized for its validity as a contemporary learning approach. Especially relevant is the redemptive and autonomous qualities of both craft and self-directed learning in the context of the Covid-19 pandemic. This investigation cracks the surface of how craft-making and learning have been impacted by the pandemic, justifying the importance of independence, accessibility, and co-construction in teaching and learning.
Keywords:
- Craft,
- Women,
- Self-Directed Learning,
- Leisure,
- Covid-19
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Appendices
Biographical note
Sarah Pearson is an artist and art educator based in Tiohtià:ke/ Montreal. Her practice is situated within community art education, emphasizing art making as a tool for connectivity, meaning making, and empowerment. Sarah holds a master’s degree in Art Education from Concordia University where her research interests included creative expression within everyday life, particularly fibre and craft practices. Sarah’s creative work often marries visual and written expression.
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