Circuit Musiques contemporaines  

Editor(s): Maxime McKinley (Rédacteur en chef), Paul Bazin (Secrétaire de rédaction)

About

Presentation

Circuit was founded in 1989 at the behest of Lorraine Vaillancourt, founder and director of Nouvel Ensemble Moderne (in residence at Université de Montréal), and of Jean-Jacques Nattiez, its first editor in chief. Circuit publishes articles, documents and case files in French and English on contemporary music from Quebec, North America and abroad. Designed as an arts journal as well as an object of aesthetic reflection, it is aimed at all those who have an interest in contemporary musical and artistic creation issues. The journal is called Circuit after Serge Garant (1929-1986), important figure of Quebec's musical scene and composer of three musical pieces of the same name.

Indexing

  •     RILM Abstracts of Music Literature
  •     Ent'revues
  •     The Music Index

Contact

Journal's Site

http://www.revuecircuit.ca/

Contact the journal


Access

 

A subscription is required to have access to issues disseminated in the last 12 months of publication for this journal.

Institutional digital subscription: Institutions (library, documentation centre, school, etc.) have the possibility to subscribe to Érudit journals by title or by title package. For more information, we invite institutions to fill out our subscription form.

Individual digital subscription: individuals wanting to subscribe to the digital version of the journal are invited to communicate directly with the journal:

Print version subscription:

Back issues (75 issues)

Permanent archiving of articles on Érudit is provided by Portico.

Editorial policy and ethics

Editorial Policy

Guidelines for Authors

Editorial board

Direction et rédaction

Maxime McKinley

maxime.mckinley@revuecircuit.ca

514-343-6388

Coordination administrative et secrétariat de rédaction

Paul Bazin

info@revuecircuit.ca

514-343-6388

Cahiers d'analyse

Jimmie LeBlanc

Comité de rédaction

Daniel Áñez (Colombie/Québec)

Marie-Hélène Benoit-Otis (Université de Montréal)

François-Xavier Féron (Ircam, France)

Robert Hasegawa (Université McGill)

Sharon Kanach (Centre Iannis Xenakis, Université de Rouen, France)

Jimmie LeBlanc (Conservatoire de musique de Montréal)

Emanuelle Majeau-Bettez (Québec)

Maxime McKinley (Québec)

Cléo Palacio-Quintin (Québec)