Abstracts
Résumé
L’auteur de La classe de Messiaen montre ce que la publication si longtemps attendue des cours d’analyse du maître de Paris apporte à la connaissance de son univers : nature de son approche du rythme, style analytique propre dans le Sacre du printemps ou richesse du discours sur ses propres oeuvres. Ce compte-rendu permet de s’orienter dans ce vaste traité.
Abstract
The author of the book The Class of Messiaen shows the long-awaited publication of the course materials on musical analysis given by the great Parisian master brings new light to understanding of his universe: the nature of his approach to rhythm, his specific analytical style for The Rite of Spring, and the richness of associations in the discussion of his own work. This book review helps orient our approach to the treatise.