Abstracts
Abstract
In his article, Stephen Rogers puts forward an interpretation of the work of Claude Vivier and its particular relationship(s) with travel. It is a reflective work which aims less at analysis than description. Those familiar with the techniques and gestures which Vivier used to create his music will recognize some of the same techniques applied in Rogers’ paper to the written rather than the sonic world.
Résumé
Dans son article, Stephen Rogers propose une interprétation du travail de Claude Vivier et de son rapport particulier au thème du voyage. C’est un travail de réflexion qui s’attache davantage à la description, plutôt qu’à l’analyse. Les lecteurs pour qui les techniques utilisées par Vivier pour créer sa musique sont familières retrouveront certaines d’entre elles à l’oeuvre dans l’article de Rogers, mais appliquées à l’écrit, plutôt qu’au sonore.
Download the article in PDF to read it.
Download
Appendices
Note biographique
Stephen Rogers
Originaire de l’Alberta (1980), Stephen Rogers est actuellement doctorant encomposition à l’Université McGill sous la direction de Jean Lesage. Ses travauxles plus récents portent sur les corrélations entre les divers domaines d’art etleurs modes de diffusion au xxie siècle.
Références
- Arnold, Alison (ed.) (2000), “Hindustani Râga”, in Garland Encyclopedia of World Music: Volume 5: South Asia, The Indian Subcontinent, George Ruckert and Richard Widdess (eds.), New York, Garland Publishing, p. 64-85.
- Bergreen, Laurence (2007), Marco Polo: from Venice to Xanadu, New York, Alfred A. Knopf.
- Blum, Alan (2003), The Imaginative Structure of the City, Montreal, McGill-Queen’s University Press.
- Blum, Stephen (2002), “Iran: an introduction”, in The Garland Encyclopedia of World Music: Vol. 6: The Middle East, Virginia Danielson et al. (eds.), New York, Garland Publishing, Inc., p. 823 – 832.
- Circuit: revue Nord-Américains de Musique du xxe siècle, vol.2, nos. 1/2, 1991, Montréal, Les Presses de l’Université de Montréal.
- Hesse, Hermann (2006), Siddhartha: an Indian Poem, trans. Susan Berofsky, New York, Random House, Inc.
- CD: I Musici de Montréal (1988), Claude Vivier, St. Nicholas, Québec, Les éditions Doberman-Yppan, DO-99/4-ACM 36.
- Leed, Eric J. (1991), The Mind of the Traveler: from Gilgamesh to Global Tourism. New York, Basic Books.
- Lentz, Donald A. (1965), The Gamelan Music of Java and Bali: An Artistic Anomaly Complementary to Primary Tonal Theoretical Systems. Lincoln, University of Nebraska Press.
- Levin, Theodore Craig and Razia Sultanova (1997-2002), ‘The Classical Music of Uzbeks and Tajiks,’ in The Garland Encyclopedia of World Music: Vol. 6 The Middle East. Virginia Danielson et al. (eds.), New York, Garland Pub.
- Maraini, Fosco, Secret Tibet, (Revised Ed.),trans. Eric Mosbacher and Guido Waldman, London, Harvill, 2000, p. 232.
- Miller, Terry E. and Sean Williams (1998), “Southeast Asian Musics: An Overview,” in The Garland Encyclopedia of World Music: Volume 4: Southeast Asia, Terry E. Miller and Sean Williams (eds.), New York, Garland Publishing, Inc., p. 2 – 23.
- Naumkin, Vitaly (ed.) (1993), Bukhara, Reading, Garnet Publishing Ltd.
- Olsen, Dale A. (1998), “Surinam,” in The Garland Encyclopedia of World Music: Volume 2: South America, Mexico, Central America and the Caribbean, Dale A. Olsen and Daniel E Sheehy (eds.), New York, Garland, p. 503-509.
- Sandars, N. K. (1975), trans. The Epic of Gilgamesh, New York, Penguin Books.
- Tannenbaum, Peter (1991), “Claude Vivier Revisisted”, in SoundNotes,Vol.1, Toronto, p. 12 - 27.
- Van den Abbele, Georges (1992) Travel as Metaphor: from Montaigne to Rousseau, Minneapolis, University of Minnesota Press.
- Von der Weid, Jean-Noël (2003), “Drowned in His Dying Song,” [liner notes] in Chants… Les Jeunes Solistes Ensemble, Paris, Musique Média, p. 11-17.
- Vivier, Claude (1990), Bouchara, Montreal, Canadian Music Centre.
- Vivier, Claude (1989), Cinq chansons pour percussion, St. Nicholas, Quebec, Doberman-Yppan.
- Vivier, Claude (1988), Paramirabo, St. Nicholas, Quebec, Doberman-Yppan.
- Vivier, Claude (1981), Prologue pour un Marco Polo, Montreal, Canadian Music Centre.
- Cinq chansons pour percussion © Copyright 1980 Hendon Music, Inc., a Boosey & Hawkes company. Reproduit avec autoristation