Abstracts
Abstract
In the vast majority of existing studio and live productions, the sheng is represented as an external sound object, i.e., a sound source (typically positioned frontally) with a given distance and width, placed in a real or virtual space, as is commonly done for other featured instruments in music production. The empirical research presented here reverses the listening perspective. It develops methods for setting the listener metaphorically inside the sheng, surrounded by the pipes. It is similar to the image of the “forest of pipes” sometimes used for a church organ. This idea, which (though complex) may be technically easier to apply to the church organ, poses significant difficulties for the sheng because of its size and the radiation properties of the pipes (mostly directed outwards). Alternative methods for the design of the microphone system must therefore be sought.
Keywords:
- 37-pipe sheng,
- recording,
- amplification,
- spatialization,
- microphone system,
- perspective reversal,
- pipes
Résumé
Dans la grande majorité des productions existantes en studio et en direct, le sheng est représenté comme un objet sonore externe, c’est-à-dire une source sonore (typiquement positionnée à l’avant) selon une distance et une largeur déterminées et placée dans un espace réel ou virtuel, comme cela est couramment fait pour d’autres instruments vedettes dans la production musicale. La recherche empirique présentée ici renverse la perspective d’écoute. Elle développe des méthodes permettant de placer métaphoriquement l’auditeur à l’intérieur du sheng, entouré de ses tuyaux, à l’image de la « forêt de tuyaux » à laquelle on fait parfois référence à propos de l’orgue d’église. Cette idée, qui dans le cas de l’orgue d’église est peut-être techniquement plus aisée (bien que complexe) à appliquer, pose des difficultés significatives pour le sheng en raison de la taille de l’instrument et des propriétés de rayonnement de ses tuyaux (principalement dirigés vers l’extérieur). Des méthodes alternatives pour la conception du système de microphones doivent donc être recherchées pour surmonter cet obstacle.
Mots-clés :
- Sheng à 37 tuyaux,
- enregistrement,
- amplification,
- spatialisation,
- système de microphones,
- renversement de perspective,
- tuyaux
Appendices
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Discography
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