La fonction communicative des masques dans les comédies italiennes de Mozart

  • John McClelland

Online publication: Feb. 8, 2013

URI
https://id.erudit.org/iderudit/1013939ar CopiedAn error has occurred
DOI
https://doi.org/10.7202/1013939ar CopiedAn error has occurred

An article of the journal Canadian University Music Review / Revue de musique des universités canadiennes 

Number 5, 1984, p. 179–197

All Rights Reserved © Canadian University Music Society / Société de musique des universités canadiennes, 1984

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