Roads Taken and Retaken: Foreground Ambiguity in Chopin's Prelude in A-flat Op. 28, No. 17

  • Kenneth DeLong

Online publication: March 15, 2013

URI
https://id.erudit.org/iderudit/1014829ar CopiedAn error has occurred
DOI
https://doi.org/10.7202/1014829ar CopiedAn error has occurred

An article of the journal Canadian University Music Review / Revue de musique des universités canadiennes 

Volume 11, Number 1, 1991, p. 34–49

All Rights Reserved © Canadian University Music Society / Société de musique des universités canadiennes, 1991

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